COLD CALLING

Other movies
ROSE OF NEVADA
Director: Mark Jenkin
Rose Of Nevada is eerie, poignant and the tides are treacherous in this mysterious, daring work. Having brought Enys Men to Red Sea Film Festival in 2022, Mark Jenkin returns with his unique vision in this trenchant time-travelling tale of eternal loss. Two of the UK’s most exciting young actors, George MacKay and Callum Turner, headline this story initially set in a forgotten Cornish fishing village. Nick (MacKay) is trying to fix the roof over his head when he signs up as crew on a mysterious trawler called Rose of Nevada. Liam (Turner) is the stranger who drifts into town and ends up on board. All however, is not as it seems.
LATE SHIFT
Director: Petra Volpe
Petra Volpe’s salute to caregivers is executed with strength and admiration. Led by a nuanced and meticulous performance from Leonie Benesch, Late Shift is an eloquent plea for compassion, as well as being a gripping story about a day in the life of a hospital worker. Floria (Benesch) is a nurse on an understaffed surgical ward, where she balances the constant demands of her patients — medical and emotional — knowing that every decision she makes (or neglects) could have fatal consequences. Floria, and Volpe’s camera, are constantly on the move to beeping monitors and crash carts in the ward’s confined quarters. As Switzerland’s Oscar submission, Late Shift delivers high drama and a sharp question: who will care for the carers?
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.