BEND IT LIKE BECKHAM
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40 ACRES
Director: R.t. Thorne
Danielle Deadwyler shines as the invincible gun-toting matriarch Hailey, a Black military veteran determined to protect and preserve her family and their land in the wake of a man-made apocalypse. A few years before, all animals on Earth were killed by a viral epidemic. Since then, there has a been a breakdown in global food supplies: only those cultivating the land can hope to survive, provided they can ward off roving militias looting the remaining farms. Hailey communicates only with other farmers via CB radio; her four children are walled in with their parents, taught to trust nobody, but when lonely young Emmanuel meets Dawn, a wounded young woman in the woods, Hailey’s regime threatens to break down from within.
FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.