A GAZA WEEKEND
Other movies
SIMA’S SONG
Director: Roya Sadat
Afghanistan in 1972 is a cauldron of opposing political forces. Suraya, part of an influential political family, becomes head of the dominant Communist Party’s women’s organisation, believing it is the best hope for equal rights. Her friend Sima is sceptical of all politics and, as a talented musician, is dedicated to her traditional art and its romantic themes. Despite their differences, these two young women remain best friends through university, even when Sima marries and starts attending Muslim Youth meetings. When the army starts arresting Muslim activists, Suraya helps her friends escape to the mountains and the protection of the mujahadeen, but war follows them. The film is a marvellous testament to the courage and loyalty of Afghani women in the face of constant adversity.
LAIL NAHAR
Director: Abdulaziz Almuzaini
Nahar, a beloved and highly popular opera singer, finds himself at the center of a "cancel" storm after a viral video accuses him of racism. In a surprising move, he announces his upcoming marriage to a black woman live on air, putting him in a race against time to find the right woman. Eventually, he marries a wedding singer, and their relationship evolves from one of mutual interests into an unexpected emotional and musical journey filled with surprising twists.
AÏCHA
Director: Mehdi M. Barsaoui
Aya is the sole survivor of a bus crash on a mountain road. When she realises that nobody knows she is alive, she makes a snap decision to escape her dead-end village existence and become someone else. In thriving, liberal Tunis, she calls herself Amira, a thrilling change until one of those men is murdered and the investigating police start to question “Amira”’s sketchy life story. Fatma Sfar is vivid and immediately sympathetic as Aya/Amira, while narrative twists and nested details gradually reveal that she isn’t the only trickster with something to hide. Aicha was judged Best Mediterranean Film from the Academy of Fine Arts at this year’s Venice Film Festival.
EAST OF NOON
Director: Hala Elkoussy
Stuck in a sandy enclave in the middle of nowhere, aspiring musician Abdo divides his time between digging graves and creating music using household implements. Along with his Nunna, he is plotting his escape to a wider world while scheming to survive the everyday tyranny of the enclave boss, Master Shawky. A story that is very much about the power of story-telling, with some of the flavour of the Arabian Nights, the evocatively titled East of Noon is shot largely in black and white. This surface beauty gives its familiar theme of youthful revolt a surreal, fantastical quality, allowing ideas that would otherwise be taboo to float free.