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Red Sea fund

280+ Projects, with $15 Million in Grants – Now Open to Asia!

A dynamic force in the world of Arab, African, and Asian film financing, the Red Sea Fund operates across four cycles, encompassing projects in stages of development, production, and post-production.

The Fund’s dedication to nurturing cinematic creativity has resulted in supporting 280+ films since its first edition in 2021. Beyond its financial contributions, the Fund has also launched a range of initiatives to bolster the film industry. These include a celebration of women in cinema  by funding graduation films from the first women’s university and the first filmmaking degree in the Kingdom of Saudi. This is in addition to partnerships with other festivals around the world, providing financial awards to exceptional projects.

Documentary, fiction, animation – episodic, shorts, and features – the Fund is looking out for filmmakers and the new exciting wave of films from the region.

Fund Cycles Calendar

CYCLE 01
POST-PRODUCTION FUND
Jan 6 –  Jan 27

CYCLE 02
PRODUCTION FUND
March 6 – March 21

CYCLE 03
DEVELOPMENT FUND
May 6 – May 21

CYCLE 04
POST-PRODUCTION FUND
July 6 – July 21

Production Fund​

Backing the financing of films ready to proceed to production.

Feature-length (60 minutes or more) fiction, documentary, or animation projects from directors of Arab nationality/origin, African and Asian nationalities.

Episodic projects (25–59 minutes per episode) from directors of Arab nationality/origin, African and Asian nationalities.

Short fiction, documentary, or animation (less than 60 minutes) projects from Saudi directors.

Post-Production Fund

Got a rough cut ready? Still looking for financing? The Red Sea Fund can support you with a post-production grant to get your film completed and ready for distribution and exhibition.

Feature-length (60 minutes or more) fiction, documentary, or animation projects from directors of Arab nationality/origin, African and Asian nationalities.

Development Fund

Backing your film from treatment to production-ready scripts and concepts.

Feature-length (60 minutes or more) fiction, documentary, or animation projects from directors of Arab nationality/origin, African and Asian nationalities.

Episodic projects (25–59 minutes per episode) from directors of Arab nationality/origin, African and Asian nationalities.

Short fiction, documentary, or animation (less than 60 minutes) projects from Saudi directors.

Projects

The Mother of All Lies

Director:
Asmae El Moudir
Producer:
Asmae El Moudir – Mark Lotfy

(Morocco, Egypt, Saudi Arabia and Qatar)

Four Daughters

Director:
Kaouther Ben Hania
Producer:
Habib Attia – Nadim Cheikhrouha

(France, Saudi Arabia, Germany and Tunisia)

Inshallah A boy

Director:
Amjad Al Rasheed
Producer:
Rula Nasser

(Jordan, France, Saudi Arabia and Qatar)

Mandoob

Director:
Ali Kalthami
Producer:
Abdulrahman Jarash – Chawki Knis – Alaa Faden

(Saudi Arabia)

Goodbye Julia

Director:
Mohamed Kordofani
Producer:
Amjad Abu Alala

(Sudan, Saudi Arabia, Germany, Egypt, France and Sweden)

Hounds

Director:
Kamal Lazraq
Producer:
Saïd Hamich Benlarbi

(France, Morocco, Belgium and Qatar)

Omen

Director:
Baloji
Producer:
Sebastien Onoma

(Belgium, Democratic Republic of the Congo, Netherlands, Germany and South Africa)

Slave

Director:
Mansour Assad
Producer:
Lina Abdulaziz – Faisal Baltyuor – Abdulaziz Almowani – Mansour Assad

(Saudi Arabia)

Backstage

Director:
Afef Ben Mahmoud – Khalil Benkirane
Producer:
Khalil Benkirane – Afef Ben Mahmoud

(Morocco, Tunisia, Belgium and France)

Behind the Mountains

Director:
Mohamed Ben Attia
Producer:
Lorenzo Rapetti – Paolo Maria Spina – Dora Bouchoucha – Lina Chaabane Menzli – Jean Pierre Et Luc Dardenne – Nadim Cheikhrouha – Delphine Tomson – Giovanni Robbiano

(Tunisia, France, Belgium, Italy, Saudi Arabia and Qatar)

THE BURDENED

Director:
Amr Gamal
Producer:
Mohsen Alkhalifi – Amr Gamal

(Yemen, Sudan and Saudi Arabia)

Norah

Director:
Tawfik Alzaidi
Producer:
Tawfik Alzaidi – Najah Alhajjar – Sharif Almajali

(Saudi Arabia)

FEVER DREAM

Director:
Faris Godus
Producer:
Sohayb Godus

(Saudi Arabia)

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.