WILL MY PARENTS COME TO SEE ME
Other movies
SIMA’S SONG
Director: Roya Sadat
Afghanistan in 1972 is a cauldron of opposing political forces. Suraya, part of an influential political family, becomes head of the dominant Communist Party’s women’s organisation, believing it is the best hope for equal rights. Her friend Sima is sceptical of all politics and, as a talented musician, is dedicated to her traditional art and its romantic themes. Despite their differences, these two young women remain best friends through university, even when Sima marries and starts attending Muslim Youth meetings. When the army starts arresting Muslim activists, Suraya helps her friends escape to the mountains and the protection of the mujahadeen, but war follows them. The film is a marvellous testament to the courage and loyalty of Afghani women in the face of constant adversity.
HANAMI
Director: Denise Fernandes
The remote volcanic island of Fogo, off the coast of Cape Verde, is a difficult place to make a living. Like many other young people, Nia chooses to go, leaving her new baby Nana to be raised by her grandmother. Nana is observant and sensitive; when she develops a high fever and is sent to recover with a healer under the volcano, she immediately responds to the magical atmosphere of the island’s interior. It is as if the island itself, along with the network of women who give the film a strong feminine energy, is caring for her. A moving story about longing and belonging, culminating in the older Nana’s quandary: should she stay here forever, or follow her mother into the wider world?
QUIET LIFE
Director: Alexandros Avranas
Sergei and Alina, both teachers, have fled persecution in Russia with their two daughters to Sweden, where they have applied for asylum. They do their best to fit in: the parents work hard, the children throw themselves into their Swedish school lives and the family welcomes regular inspections, proving what excellent Swedish citizens they would be. It is a shock when their application is rejected, after which the younger daughter Katja collapses into a coma caused by Child Resignation Syndrome, a well-documented phenomenon among refugee children. The callousness of the authorities and its institutions, which seem designed to strip everyone of humanity and hope, is chilling, only just trumped by the film’s core values of justice and resilient love.