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FAMILIAR TOUCH
Director: Sarah Friedland
Anchored by a precise and sensitive performance by 79-year-old theatre actress Kathleen Chalfant, Sarah Friedland’s debut film – made in collaboration with the residents and care workers at a Los Angeles retirement home – shows the experience of dementia from this elderly woman’s own point of view. Her son, whom she mistakes for a date, takes her to the care home that she thinks is a hotel bar. Once a professional chef, she takes over the kitchen for a morning, then escapes to go to a produce stall, bits of reality she can still grasp. Her triumph is to find the life worth living where she is, as she is. A celebration of the human mind, in all its complexity.
TO KILL A MONGOLIAN HORSE
Director: Xiaoxuan Jiang
Saina’s father never taught him to ride: he simply put him on the back of a horse, a Mongolian herdsman’s natural habitat. Saina now earns his living performing spectacular tricks in equestrian shows for tourists, trying to make enough money to cover his father’s gambling debts as well as support his little son. His true vocation, however, is caring for his sheep and horses on the grasslands that stretch as far as the eye can see - a way of life under threat from climate change, encroaching poverty and profiteering mining companies. A moving, superbly shot portrait of a man clinging to the things that make that life worthwhile: the endless sky, the silence, his herdsman’s heritage and his beloved horses.
K-POPS
Director: Anderson .Paak
Eight-time Grammy winner Anderson .Paak makes his film debut with the story of a washed-up drummer whose life turns around when he meets his teenage son for the first time. Paak himself plays the father BJ, who is still holding out in middle age for rock’n’roll stardom; his real-life son Soul Rasheed plays the fictional Tae Young, whose mother Yeji is Korean. When BJ gets an unexpected gig on a Korean talent show, he discovers Tae Young, a hotly-tipped contestant. Eager to make up for lost parenting time, BJ becomes the boy’s mentor – but the truth is that he needs help to grow up himself. Riffing off their real family relationships, .Paak’s comedy is an instant winner full of charm and K-Pop fandom.