
THE UNIVERSAL THEORY

Other movies

K-POPS
Director: Anderson .Paak
Eight-time Grammy winner Anderson .Paak makes his film debut with the story of a washed-up drummer whose life turns around when he meets his teenage son for the first time. Paak himself plays the father BJ, who is still holding out in middle age for rock’n’roll stardom; his real-life son Soul Rasheed plays the fictional Tae Young, whose mother Yeji is Korean. When BJ gets an unexpected gig on a Korean talent show, he discovers Tae Young, a hotly-tipped contestant. Eager to make up for lost parenting time, BJ becomes the boy’s mentor – but the truth is that he needs help to grow up himself. Riffing off their real family relationships, .Paak’s comedy is an instant winner full of charm and K-Pop fandom.

SAIFY
Director: Wael Abu Mansour
At 40 years old, Saify Muhammed is a washed-up confidence trickster who owes money to everyone, including his ex-wife. Now he is trying his hand at blackmail. The year is 2000; Saify has a dilapidated music shop selling cassette tapes, including recordings of banned Islamic sermons he mistakenly thinks will turn an illicit profit. His sermon supplier is Al-Mahdi, shady religious advisor to the local bigwig Sheikh Asaad Aman, who has a name as a philanthropist. When Saify finds one tape containing a scandalous recording of the influential Sheikh Asaad, he thinks he’s finally in the money.

TO KILL A MONGOLIAN HORSE
Director: Xiaoxuan Jiang
Saina’s father never taught him to ride: he simply put him on the back of a horse, a Mongolian herdsman’s natural habitat. Saina now earns his living performing spectacular tricks in equestrian shows for tourists, trying to make enough money to cover his father’s gambling debts as well as support his little son. His true vocation, however, is caring for his sheep and horses on the grasslands that stretch as far as the eye can see - a way of life under threat from climate change, encroaching poverty and profiteering mining companies. A moving, superbly shot portrait of a man clinging to the things that make that life worthwhile: the endless sky, the silence, his herdsman’s heritage and his beloved horses.

SANTOSH
Director: Sandhya Suri
When Santosh’s husband, a policeman in a rural district in North India, is killed in a riot, the widow can only keep their home if she takes his job. Eager to succeed, she shows more determination than is usual among the misogynist male police when a low-caste girl is reported missing and then turns up dead. A charismatic senior woman officer, Inspector Sharma, is duly drafted in to head the murder investigation, becoming Santosh’s mentor. Success for women, however, generally means showing they can bend the rules as flagrantly as the men, where survival always comes at huge personal cost. A fascinating police procedural, focusing on the relationships within the force rather than crimes or culprits, the film is an investigation into deep-rooted systemic corruption.