
THE SANDCASTLE
SHOWTIME

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In-Conversation with Eva Longoria
Director: Eva Longoria Baston
Having worked consistently in Hollywood for over 20 years, Eva Longoria has cemented herself as an industry staple known for her work both in front of and behind the camera. Longoria continues to hone her craft, seek new projects, and expand opportunities for others by paving the way for future women and minority producers, directors and industry leaders in Hollywood and beyond.

SABA
Director: Maksud Hossain
Saba, 25, lives in Dhaka with her demanding mother Shirin, a paraplegic whose frustrations and rage often find a target in the daughter who cares for her. When Shirin’s worsening condition requires surgery it falls to Saba to find the money to pay for it. Securing a job at a seedy Shisha bar, Saba befriends the manager Ankur and, for the first time, pictures what a life of her own could look like. Maksud Hossain’s debut feature is a close-up look at a complicated bond between mother and daughter that lurches between love and guilt, co-dependence and the longing for autonomy - but it is also a social drama, detailing the hardships that underlay the riots in Bangladesh earlier this year.

SABA
Director: Maksud Hossain
Saba, 25, lives in Dhaka with her demanding mother Shirin, a paraplegic whose frustrations and rage often find a target in the daughter who cares for her. When Shirin’s worsening condition requires surgery it falls to Saba to find the money to pay for it. Securing a job at a seedy Shisha bar, Saba befriends the manager Ankur and, for the first time, pictures what a life of her own could look like. Maksud Hossain’s debut feature is a close-up look at a complicated bond between mother and daughter that lurches between love and guilt, co-dependence and the longing for autonomy - but it is also a social drama, detailing the hardships that underlay the riots in Bangladesh earlier this year.

HOLES
Director: Abdulmohsen Aldhabaan
Rakan and his wife Rim are looking for an apartment to rent instead of living with his aged mother. It seems they have found the right spot, except for the hole in the wall that looks as if someone bashed it with a hammer. Rakan seems strangely unengaged, however, barely speaking to his wife. Gradually, as we slip from present to past, we piece together the story that explains his barrage of unwanted calls, chance encounters with shady characters and outbreaks of violence. When his mother’s home is burgled and she is attacked, he is confronted by the person he least wants to see.