RICEBOY SLEEPS
Other movies
EEPHUS
Director: Carson Lund
New England, an amateur baseball game is being played in front of empty stands, from morning until nightfall. It’s the team's last match: tomorrow, the demolition of the arena will begin. Eephus refers to a particular pitch – a slow curveball that is difficult to hit – but one doesn't need to know the rules of baseball to grasp the ways of this world: a certain American, rural and masculinist culture. Awkward, aging and out of shape, the men are as enthusiastic about the drinks they bring to the game as they are about bats and balls. The bonds forged by the game are deep, however - and, by extension, so is their love of baseball itself in this touching and funny analogy of America.
ABDO & SANEYA
Director: Omar Bakry
A wonderful reminder of the power of silent film, Omar Bakri’s film is shot without dialogue in dramatic black and white. Egyptian farmer Abdo and his wife Saniya are desperate for a child, which leads them on a daunting journey to New York City for infertility treatment. The treatment itself is intimidating but the couple faces an additional hurdle: they don't speak the language and are unfamiliar with the American way of life. This musical drama has all the magic and direct emotion of early cinema – laughter, tears and love surge through it - but with very modern-day heroes in Abdo and Saniya. The Jeddah audience is sure to be captivated by this innovative take on a classic genre.
TASTE THE REVOLUTION
Director: Daniel Klein
For nearly 25 years one of Oscar winner's Mahershala Ali's earliest, craziest and most brilliant performances has been hiding in a vault. Director Daniel Klein shot a film in the year 2000 about a group of revolutionaries putting on a world summit to counter political apathy and encourage America to stand up to capitalism but then world events got in the way and the film vanished. Now, after a call from Ali, who plays a revolutionary leader, the director has gone back over the footage and reimagined the film as a mockumentary about a documentary film crew trying to capture an event that they hope will be a modern-day Woodstock, but turns out to be more Fyre Festival.
HOLES
Director: Abdulmohsen Aldhabaan
Rakan and his wife Rim are looking for an apartment to rent instead of living with his aged mother. It seems they have found the right spot, except for the hole in the wall that looks as if someone bashed it with a hammer. Rakan seems strangely unengaged, however, barely speaking to his wife. Gradually, as we slip from present to past, we piece together the story that explains his barrage of unwanted calls, chance encounters with shady characters and outbreaks of violence. When his mother’s home is burgled and she is attacked, he is confronted by the person he least wants to see.