
OCTOPUS
Other movies

TO KILL A MONGOLIAN HORSE
Director: Xiaoxuan Jiang
Saina’s father never taught him to ride: he simply put him on the back of a horse, a Mongolian herdsman’s natural habitat. Saina now earns his living performing spectacular tricks in equestrian shows for tourists, trying to make enough money to cover his father’s gambling debts as well as support his little son. His true vocation, however, is caring for his sheep and horses on the grasslands that stretch as far as the eye can see - a way of life under threat from climate change, encroaching poverty and profiteering mining companies. A moving, superbly shot portrait of a man clinging to the things that make that life worthwhile: the endless sky, the silence, his herdsman’s heritage and his beloved horses.

U ARE THE UNIVERSE
Director: Pavlo Ostrikov
Far into the future, Earth is peppered with nuclear waste storage units overstuffed with radioactive garbage which, thanks to an increase in volcanic activity, is destroying the planet. Space trucker Andriy’s mission is to dump this waste on Callisto, one of Jupiter’s moons, from a rig with only a down-at-heel gym and a wise-cracking robot called Martin to keep him entertained. Then he sees the Earth explode behind him. Does this mean he is the last person left alive? Apparently not: the voice of a French woman reaches him from a distant space station. He just has to find a way to blast in her direction. Ostrikov contemplates the awful reality of loneliness, but provides plenty of laughs along the way.

40 ACRES
Director: R.t. Thorne
Danielle Deadwyler shines as the invincible gun-toting matriarch Hailey, a Black military veteran determined to protect and preserve her family and their land in the wake of a man-made apocalypse. A few years before, all animals on Earth were killed by a viral epidemic. Since then, there has a been a breakdown in global food supplies: only those cultivating the land can hope to survive, provided they can ward off roving militias looting the remaining farms. Hailey communicates only with other farmers via CB radio; her four children are walled in with their parents, taught to trust nobody, but when lonely young Emmanuel meets Dawn, a wounded young woman in the woods, Hailey’s regime threatens to break down from within.