LOST WORLDS WITH BETTANY HUGHES: THE NABATAEANS
SHOWTIME
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EEPHUS
Director: Carson Lund
New England, an amateur baseball game is being played in front of empty stands, from morning until nightfall. It’s the team's last match: tomorrow, the demolition of the arena will begin. Eephus refers to a particular pitch – a slow curveball that is difficult to hit – but one doesn't need to know the rules of baseball to grasp the ways of this world: a certain American, rural and masculinist culture. Awkward, aging and out of shape, the men are as enthusiastic about the drinks they bring to the game as they are about bats and balls. The bonds forged by the game are deep, however - and, by extension, so is their love of baseball itself in this touching and funny analogy of America.
LITTLE JAFFNA
Director: Lawrence Valin
“You’re not in Paris any more. You’re in Little Jaffna.” During the civil war in Sri Lanka that raged from 1983 until 2009, Tamils in the Parisian district of Little Jaffna were forced to contribute towards buying arms for Tamil Tigers. Aya, ostensibly a grocer, leads the ruthless extortion gang that bleeds the community dry. Michael, a straight-shooting young police officer with Tamil roots, is sent to infiltrate the organization but as he befriends the gang’s members at terrible risk to himself, he starts to see the issue in a more nuanced way and feels his loyalties shifting. Valin combines the theatricality of Tamil movies with the hard edge of new French cinema, using largely non-professional actors, in this spectacular thriller.
RED PATH
Director: Lotfi Achour
Ashraf, a shepherd boy working with his teenage cousin in impoverished northern Tunisia faces the unimaginable when Islamic State terrorists set on them and behead his cousin Nizar in front of him. Ashraf has no choice but to take the head back to his family, who can do nothing: the terrorists are a constant threat, while the police are indifferent to the problems of poor herders. Nizar’s parents fixate on trying to recover his body for a proper burial, but Ashraf has no way of dealing with his trauma, clinging to the visions he has of Nizar during which he can talk to his cousin’s ghost. An extraordinary journey into the wounded psyche of a child in a war zone, heightened by Ali AlHleili’s captivating performance.
In-Conversation with Viola Davis
Director: Viola Davis
Viola Davis is an acclaimed American actress and film producer celebrated for her powerful performances across screen and stage. She is one of the few artists to achieve both the Triple Crown of Acting—winning an Academy Award, Emmy, and Tony—and the prestigious EGOT. Time magazine named her one of the 100 most influential people in the world in 2012 and 2017. In 2020, The New York Times ranked her ninth among the greatest actors of the 21st century. In 2017, Davis received a star on the Hollywood Walk of Fame, presented by her Doubt co-star Meryl Streep. During her acceptance speech, Davis reflected, “God has blessed my life in abundance.” Streep wrote about Davis for Time, praising her artistic gifts as “deep and rich and true” and highlighting her cultural significance, saying Davis has “carved a place for herself on the Mount Rushmore of the 21st century.” That same year, Davis was named Harvard University’s Artist of the Year. In 2022, Davis starred in The Woman King, a historical epic about the Kingdom of Dahomey, where she portrayed Nanisca, a general of an all-female military unit. Her performance was widely acclaimed. That same year, she was cast as Dr. Volumnia Gaul in The Hunger Games: The Ballad of Songbirds and Snakes, a prequel to the popular film series. Earlier, Davis portrayed former First Lady Michelle Obama in the Showtime series The First Lady. Davis is also a passionate advocate against childhood hunger in the United States. Since 2014, she has worked with the Hunger Is campaign, drawing on her own experiences growing up in poverty. She has shared, “Seventeen million kids in this country, one in five, go to bed hungry. I was one of those kids.” Davis rummaged through trash and stole food as a child, an experience that fuels her activism today. Speaking at the 2014 Variety Power of Women luncheon, she emphasized the campaign’s mission to “eradicate” hunger, stating that all children deserve a chance to achieve their dreams. To support this cause, Davis launched the $30K in 30 Days Project, awarding grants to organizations like the Rhode Island Community Food Bank in her home state. Her dedication to philanthropy complements her extraordinary contributions to film and culture, solidifying her legacy as both an artist and advocate.