Skip to content
R15

HOBAL

Genre
Drama and Fiction
Running time
114 minutes
Year
2024
Language
Arabic
Subtitle
English
Country
Saudi Arabia
Director
Abdulaziz Alshlahei
Bio
Producer
Sharif Almajali
Cast
Meshal Almutairi, Mila Alzahrani, Ibrahim Alhasawi, Motreb Fawaz, Abdulrahman Abdullah, Drian Aldrian, Hamdy Alfredi, Reem Fahad, Noura Alhamedi
Scriptwriter
Mufarrij Almajfel

SHOWTIME

Sat 07. Dec
Culture Square - Auditorium
7:15 PM - 9:19 PM
Price: 140 SAR
Liam of 80 years embraces the belief in the proximity of the "Hour of Resurrection" after the emergence of signs confirming his claim, the latest of which was the outbreak of the second Gulf War, which makes him insist on staying away from people and forcing his family with him to be cut off from all means of civilization so as not to be inflicted by torment, so the family obeys his instructions except "Assaf" who loves his cousin "Reefah" who is infected with "measles" after it spread within the family and fears that death will take her from him after his cousin died with the same disease, and tries to escape with her for treatment in the city that he has not seen since he was created, and repeats attempts until the opportunity comes to save her, which is not in his favor after he was encouraged by Grandfather Liam disappears in one of the ground cavities "Dahl" in the desert, and to remain confused whether he is alive or dead, which causes a conflict between his children so to who remain committed to his instructions, which stipulate the approaching hour and those who decide to disregard them.

Other movies

GHOST TRAIN

Director: Se-Woong Tak

YouTube creator Da-kyung (played by shooting star Joo Hyun-young), has made her name by recounting real-life horror stories but she has lost a lot of subscribers recently. Her quest to uncover the scariest tales possible leads her to Gwangrim Station; a subway station that is known for the mysterious incidents occurring there. While the station master (Jeon Bae-soo) is initially hesitant to reveal the hidden stories of his workplace, he gradually shares more and more spooky secrets, which does not leave Da-kyung unaffected. Telling one occurrence per episode, this series delights as an exciting play on horror and ghost story tropes, with a cleverly timed narrative structure, and a thrilling sense of atmosphere and mood.

LUMIÈRE, LE CINÉMA

Director: Thierry Frémaux

A contemporary film collating works shot by Louis and Auguste Lumiere from the earliest years of cinema, superbly preserved and restored by the Lumiere Institute in Lyon. Cannes Film Festival director Thierry Frémaux provides an informative commentary as toddlers squabble, a magician performs a trick and a train pulls into a station; the score is by Gabriel Faure, a composer favoured by the Lumiere brothers themselves. More than a hundred short films of 50 seconds each, provide a window both into ordinary life around the turn of the 19th century – not only in France but in places as far-flung as Japan and Algeria - and the wonder felt at the Lumieres’ astonishing invention, the cinematograph, a miracle whose magic continues.

HANAMI

Director: Denise Fernandes

The remote volcanic island of Fogo, off the coast of Cape Verde, is a difficult place to make a living. Like many other young people, Nia chooses to go, leaving her new baby Nana to be raised by her grandmother. Nana is observant and sensitive; when she develops a high fever and is sent to recover with a healer under the volcano, she immediately responds to the magical atmosphere of the island’s interior. It is as if the island itself, along with the network of women who give the film a strong feminine energy, is caring for her. A moving story about longing and belonging, culminating in the older Nana’s quandary: should she stay here forever, or follow her mother into the wider world?

In-Conversation with Viola Davis

Director: Viola Davis

Viola Davis is an acclaimed American actress and film producer celebrated for her powerful performances across screen and stage. She is one of the few artists to achieve both the Triple Crown of Acting—winning an Academy Award, Emmy, and Tony—and the prestigious EGOT. Time magazine named her one of the 100 most influential people in the world in 2012 and 2017. In 2020, The New York Times ranked her ninth among the greatest actors of the 21st century. In 2017, Davis received a star on the Hollywood Walk of Fame, presented by her Doubt co-star Meryl Streep. During her acceptance speech, Davis reflected, “God has blessed my life in abundance.” Streep wrote about Davis for Time, praising her artistic gifts as “deep and rich and true” and highlighting her cultural significance, saying Davis has “carved a place for herself on the Mount Rushmore of the 21st century.” That same year, Davis was named Harvard University’s Artist of the Year. In 2022, Davis starred in The Woman King, a historical epic about the Kingdom of Dahomey, where she portrayed Nanisca, a general of an all-female military unit. Her performance was widely acclaimed. That same year, she was cast as Dr. Volumnia Gaul in The Hunger Games: The Ballad of Songbirds and Snakes, a prequel to the popular film series. Earlier, Davis portrayed former First Lady Michelle Obama in the Showtime series The First Lady. Davis is also a passionate advocate against childhood hunger in the United States. Since 2014, she has worked with the Hunger Is campaign, drawing on her own experiences growing up in poverty. She has shared, “Seventeen million kids in this country, one in five, go to bed hungry. I was one of those kids.” Davis rummaged through trash and stole food as a child, an experience that fuels her activism today. Speaking at the 2014 Variety Power of Women luncheon, she emphasized the campaign’s mission to “eradicate” hunger, stating that all children deserve a chance to achieve their dreams. To support this cause, Davis launched the $30K in 30 Days Project, awarding grants to organizations like the Rhode Island Community Food Bank in her home state. Her dedication to philanthropy complements her extraordinary contributions to film and culture, solidifying her legacy as both an artist and advocate.