
FRAGMENTS OF LIFE
SHOWTIME

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U ARE THE UNIVERSE
Director: Pavlo Ostrikov
Far into the future, Earth is peppered with nuclear waste storage units overstuffed with radioactive garbage which, thanks to an increase in volcanic activity, is destroying the planet. Space trucker Andriy’s mission is to dump this waste on Callisto, one of Jupiter’s moons, from a rig with only a down-at-heel gym and a wise-cracking robot called Martin to keep him entertained. Then he sees the Earth explode behind him. Does this mean he is the last person left alive? Apparently not: the voice of a French woman reaches him from a distant space station. He just has to find a way to blast in her direction. Ostrikov contemplates the awful reality of loneliness, but provides plenty of laughs along the way.

MARIA
Director: Pablo Larraín
Maria Callas, the greatest opera singer the world has seen, died aged only 53 in her sumptuous Parisian apartment, discovered by the devoted servants who had spent their days hiding her pills and trying to persuade her to eat. She had not sung in public for years. Larrain’s swirling work of fantasy shows La Callas remembering - or hallucinating - performances from her past, her long affair with Aristotle Onassis and her loveless childhood in wartime Athens, where she sang for German soldiers. Wandering Paris in her last days, Maria is trailed by an imaginary journalist to whom she tries to explain the pain and effort of creation. Angelina Jolie conveys Callas’s grandeur and her inner tumult in a landmark performance.

SAIFY
Director: Wael Abu Mansour
At 40 years old, Saify Muhammed is a washed-up confidence trickster who owes money to everyone, including his ex-wife. Now he is trying his hand at blackmail. The year is 2000; Saify has a dilapidated music shop selling cassette tapes, including recordings of banned Islamic sermons he mistakenly thinks will turn an illicit profit. His sermon supplier is Al-Mahdi, shady religious advisor to the local bigwig Sheikh Asaad Aman, who has a name as a philanthropist. When Saify finds one tape containing a scandalous recording of the influential Sheikh Asaad, he thinks he’s finally in the money.

EEPHUS
Director: Carson Lund
New England, an amateur baseball game is being played in front of empty stands, from morning until nightfall. It’s the team's last match: tomorrow, the demolition of the arena will begin. Eephus refers to a particular pitch – a slow curveball that is difficult to hit – but one doesn't need to know the rules of baseball to grasp the ways of this world: a certain American, rural and masculinist culture. Awkward, aging and out of shape, the men are as enthusiastic about the drinks they bring to the game as they are about bats and balls. The bonds forged by the game are deep, however - and, by extension, so is their love of baseball itself in this touching and funny analogy of America.