ASHKAL
Other movies
FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.
SMILE THE PHOTO COMES OUT BETTER
Director: Sherif Arafa
Photographer Sayed Gharib worries when his daughter Tahani moves to Cairo to study medicine, concerns that prove justified when she struggles to fit in with her privileged fellow students. His solution is to follow her to the city, moving close to the school where she studies. While she is falling in love with the son of a famous businessman, Sayed continues to take pictures. He has strong ideas about photographs of people, which reflect his own sense of dignity in poverty but is also his strongest professional principle. They must look happy; no matter how much sadness anyone carries with them, photographs must express joy. Mona Zaki plays in this film with other important Arab actors, including Ahmed Zaki and Leila Eloui.
FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.