Skip to content
R15

ASHKAL

Genre
Thriller, Crime and Drama
Running time
92 minutes
Year
2022
Language
Arabic
Subtitle
English
Country
Tunisia, France, Qatar and Saudi Arabia
Director
Youssef Chebi
Bio
Producer
Fares Ladjimi
Cast
Fatma Oussaifi, Mohamed Houcine Grayaa, Rami Harrabi, Hichem Riahi, Nabil Trabelsi, Bahri Rahali
Scriptwriter
François-Michel Allegrini, Youssef Chebi
Elements of film noir, the traditional police procedural and political allegory come together in Tunisian director Yousseb Chebbi’s second feature, set in the symbolically evocative Gardens of Carthage urban development in north Tunis. Among the eerie, unoccupied blocks of this city within the city – abandoned after the overthrow of President Ben Ali and now under perpetual construction – is the burnt body of a night watchman. Authorities are inclined to write it off as suicide, putting pressure on the investigating officers Fatma (Fatma Oussaifi) and Batal (Mohamed Houcine Grayaa) to clean up the case quickly. When one body is followed by several more, however, there is a suggestion that these deaths are not only connected but may presage another moment of political reckoning for the country. Troubling and atmospheric, Ashkal’s mystery deepens without reaching closure: a fascinating and unsettling film. This film is supported by the Red Sea Fund.

Other movies

FRONT ROW

Director: Merzak Allouache

Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.

SMILE THE PHOTO COMES OUT BETTER

Director: Sherif Arafa

Photographer Sayed Gharib worries when his daughter Tahani moves to Cairo to study medicine, concerns that prove justified when she struggles to fit in with her privileged fellow students. His solution is to follow her to the city, moving close to the school where she studies. While she is falling in love with the son of a famous businessman, Sayed continues to take pictures. He has strong ideas about photographs of people, which reflect his own sense of dignity in poverty but is also his strongest professional principle. They must look happy; no matter how much sadness anyone carries with them, photographs must express joy. Mona Zaki plays in this film with other important Arab actors, including Ahmed Zaki and Leila Eloui.

FRONT ROW

Director: Merzak Allouache

Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.