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Cannes IFF Highlights: Red Sea Film Foundation Backed Films NORAH and THE BRINK OF DREAMS Marking International Successes for Saudi and Arab Cinema

May 27, 2024

  • NORAH,” the First Saudi Film at Cannes Backed by the Red Sea Fund, Earns Special Mention from the Jury for its Artistic Distinction
  • “THE BRINK OF DREAMS,” Backed by the Red Sea Fund, Wins the Golden Eye Award for Best Documentary, Marking an Unprecedented Achievement for Egyptian Cinema

the 77th Cannes Film Festival concluded its run last Saturday, marking a special year for Saudi and Arab cinema. The festival showcased exceptional films from the Arab region, backed by the Red Sea Film Foundation.

The Saudi film NORAH directed by Tawfik AlZaidi competed in the official competition of the Cannes Film Festival in the “Un Certain Regard” section, achieving a new milestone as the first Saudi film to be officially selected in the Cannes Film Festival, winning the admiration of critics and audiences, along with receiving a special mention from the jury. The film also received wide public acclaim, as its tickets were sold out within hours of opening the booking window. “Nora” stars Yaqoub Alfarhan, and Maria Bahrawi, and features Abdullah Al Sadhan for the first time on the big screen.

THE BRINK OF DREAMS an Egyptian Red Sea Fund-supported film directed by Nada Riyadh and Ayman El Amir won the Golden Eye Award for Best Documentary Film shared with the French film “Ernest Cole: Lost and Found.”  The film was screened within the Critics’ Week at the 77th Cannes Film Festival and received wide acclaim from critics and audiences.

Over the years, the Red Sea Film Foundation has extended its support to hundreds of unique film projects and rising cinematic talents through its programs: the Red Sea Fund, the Red Sea Souk, and the Red Sea Labs. These programs have empowered filmmakers to create works that have garnered recognition and won awards at international festivals, such as Kaouther Ben Hania’s Film “Four Daughters” which was nominated for the Academy Award for Best Documentary.

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.