WOMAN OF THE HOUR

Other movies
THE FURIOUS
Director: Kenji Tanigaki
A martial arts epic from action choreographer-turned-director Tanigaki Kenji, The Furious unites a cast of pan-Asian stars — including Xie Miao (The New Legend Of Shaolin), Joe Taslim (The Raid: Redemption), Jeeja Yanin and Yayan Ruhian — in a brutal yet emotional fight for justice. Set in an unnamed Southeast Asian country, it follows a father and a journalist as they take on a human trafficking syndicate in search of their missing loved ones. Produced by Bill Kong (Crouching Tiger, Hidden Dragon), with fight sequences choreographed for raw authenticity, the film pays homage to the golden age of Asian action cinema while pushing the genre forward. Gritty and powerful, The Furious is a masterpiece in its genre and a must-watch for martial arts fans.
SCARLET
Director: Mamoru Hosoda
Mamoru Hosoda's time-warping animated epic is inspired by Shakespeare’s Hamlet and tells the story of medieval princess Scarlet, who vows to avenge the death of her father at the hands of her grasping uncle. Poisoned, she is thrust into a liminal realm where time collapses and she meets Hijiri, an idealistic medic from the present day. Visually daring, luminous and unflinching, Scarlet fuses hand-drawn richness with cutting-edge CG. Balancing visceral action and romance with a mature meditation on grief, the bounds of vengeance and our shared humanity, the film stands as an achingly relevant elegy in today’s war-scarred world.
PRIMAVERA
Director: Damiano Michieletto
Primavera is a haunting story set in a vividly recreated Venice, a tale of art and music, opportunity and repression. Damiano Michieletto’s drama transports us to the Ospedale della Pietà in the early 1700s, an orphanage where musically gifted girls perform new works as part of a lucrative orchestra. When Antonio Vivaldi is hired, he identifies Cecilia’s clear talent and makes her first violin, but her fate has been long-since foretold. Tecla Insolia plays Cecilia with a tenderness that cuts through time — her predicament reverberating across the ages. While not completely factual, Vivaldi did teach at the Ospedale for 40 years, and the film is based on a literary novel whose core truth resonates here.