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LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.
SAIPAN
Director: Lisa Barros D'sa
The tensions surrounding Ireland's 2002 FIFA World Cup bid are universal to any country that has dared to hope for footballing glory. Add Roy Keane's unique personality to the mix and you have an exciting, funny, tense drama, superbly performed by the double act of Steve Coogan as Ireland’s shambling manager Mick McCarthy and newcomer Éanna Hardwicke as the Manchester United force of nature that is Keane. This is no underdog story — it would take a braver person than McCarthy to call the eternally prickly Keane that — but directors Lisa Barros D'Sa and Glenn Leyburn have fashioned a crowd-pleasing double-act nonetheless. Tip: watch out for a cameo from the Saudi Arabia team.