TSUTSUÉ
Other movies
KOKUHO
Director: Lee Sang-Il
A box-office hit in Japan, Kokuho is Lee Sang-il’s long-gestating passion project, born from a 15-year fascination with kabuki and the tradition of onnagata: male actors who play female roles on stage. Adapted from a novel by Shūichi Yoshida, the story begins in 1964 Nagasaki and unfolds over five decades, tracing the bond between Kikuo — taken in by a kabuki master after his father’s death — and the master’s son, Shunsuke. Part brotherhood, part rivalry, their connection fuels a sweeping saga of ambition, sacrifice and devotion within a revered theatrical lineage. Starring Ryo Yoshizawa and Ryusei Yokohama, Kokuho is visually sumptuous and emotionally resonant — a powerful meditation on legacy, identity and the high cost of artistic greatness.
COUTURE
Director: Alice Winocour
A delicate garment, feature film Couture is about women brought together in one place, at different stages of life, their stories spinning off one another. Angelina Jolie gives a raw and honest performance in a leading role that is both personal but also universal. Filmmaker Alice Winocour sets the drama during Paris fashion week, where South Sudanese model Ada (Anyier Anei) is alone in the big city. Seamstress Christine (Garance Marillier) is working on Ada's show stopper dress. Angele (Ella Rumpf) is a make-up artist, while Maxine (Jolie) is an American film director there to shoot the fashion house's finale. Soon however, she'll receive news that she has breast cancer. Louis Garrel and Vincent Lindon co-star in this drama of considerable poignancy and potency. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
LATE SHIFT
Director: Petra Volpe
Petra Volpe’s salute to caregivers is executed with strength and admiration. Led by a nuanced and meticulous performance from Leonie Benesch, Late Shift is an eloquent plea for compassion, as well as being a gripping story about a day in the life of a hospital worker. Floria (Benesch) is a nurse on an understaffed surgical ward, where she balances the constant demands of her patients — medical and emotional — knowing that every decision she makes (or neglects) could have fatal consequences. Floria, and Volpe’s camera, are constantly on the move to beeping monitors and crash carts in the ward’s confined quarters. As Switzerland’s Oscar submission, Late Shift delivers high drama and a sharp question: who will care for the carers?
MY FATHER'S SCENT
Director: Mohamed Siam
A tense, poetic odyssey unfolds over one night as a father and son confront each other, aiming to settle old scores. Confined to a single apartment, their raw, emotional confrontation quickly escalates, peeling back layers of a fraught relationship. This gripping family drama forces a poignant reflection: if granted one final night with a lost loved one, would you seek vengeance or reconciliation? With powerful performances, the film is a sensitive, intimate and profound exploration of the complex, enduring bond between father and son.