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R15

TRIANGLE OF SADNESS

Genre
Comedy and Drama
Running time
142 minutes
Year
2022
Language
English
Country
Sweden, France, Germany, United Kingdom and United States of America (USA)
Director
Ruben Östlund
Bio
Producer
Philippe Bober, Erik Hemmendorff
Cast
Harriss Dickinson, Zlatko Burić, Woody Harrelson, Charlbi Dean, Thobias Thorwid
Scriptwriter
Ruben Östlund
Swedish satirist Ruben Ostlund joined a very exclusive club of two-time Cannes Palme d'Or winners with this scathingly hilarious saga of class, power and seasickness. The grotesquely rich passengers on a luxury cruise ship spend their days snapping at their young, eager crew – who are white, bright and beautiful – while an unseen host of brown-skinned workers toil invisibly in the galley and engine room. Meanwhile, the depressed captain (Woody Harrelson) drinks himself into oblivion in his cabin. The tables turn suddenly, however, when pirates invade the ship. The passengers who make it to a desert island are suddenly entirely reliant on the survival skills of a worker from below decks, who isn't inclined to indulge them. The oppressed is all too ready to take a turn as the oppressor. Wild, outsize, brash and clever, Ostlund's Odyssey lets nobody off the hook.

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THE WIZARD OF THE KREMLIN

Director: Olivier Assayas

Olivier Assayas plunges the viewer into the final years of the Soviet Union and the start of the Russian Federation with confidence and precision in this political thriller which premiered at this year's Venice Film Festival. Paul Dano leads a tightly-calibrated cast as the fictional Vadim Baranov, a theater director-turned-TV executive, spin doctor and Kremlin kingmaker to Vladimir Putin (played by Jude Law, continuing his recent career resurgence) as the Russian premier makes his unstoppable rise to power. Calibrated performances guide the viewer through a period of time which sets the scene for where Russia is today. Alicia Vikander, Tom Sturridge and Jeffrey Wright co-star in this ink-black comedy based on the 2022 novel of the same name. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.