
TO MY SON

Other movies

SIMA’S SONG
Director: Roya Sadat
Afghanistan in 1972 is a cauldron of opposing political forces. Suraya, part of an influential political family, becomes head of the dominant Communist Party’s women’s organisation, believing it is the best hope for equal rights. Her friend Sima is sceptical of all politics and, as a talented musician, is dedicated to her traditional art and its romantic themes. Despite their differences, these two young women remain best friends through university, even when Sima marries and starts attending Muslim Youth meetings. When the army starts arresting Muslim activists, Suraya helps her friends escape to the mountains and the protection of the mujahadeen, but war follows them. The film is a marvellous testament to the courage and loyalty of Afghani women in the face of constant adversity.

STATE OF SILENCE
Director: Santiago Maza
Four Mexican journalists who risk their lives to report on their country’s violent “narco-politics” talk in depth about their experiences, the dangers they face and the crucial importance of independent journalism. Mexico has been the frontline of the so-called “war on drugs” for two decades, where the line between law and crime is blurred – the continuing threats against journalists have effectively created dangerous zones of silence. Jesús Medina, Juan de Dios García Davish, María de Jesús Peters and March Vizcarra are committed to breaking that silence, reporting on local corruption, the theft of water from farmers by the drug lords and cartel-related shootings. Medina describes his job as being an “amplifier” for ordinary people who, without a free and committed press, have no voice.

MOON
Director: Kurdwin Ayub
Sarah, a former mixed martial arts champion in Austria, knows she needs to make a new start. While her sister urges her to start a business, she jumps at an unexpected offer to go to Jordan to train three teenage daughters of a dazzlingly rich family living in an isolated, fiercely guarded mansion. Sarah soon sees that the girls don’t want to train, but have little else in their closeted lives: no internet allowed, no friends and only rare outings to the mall, where they are closely watched, for entertainment. The house, moreover, seems to hold its own secrets; why is Sarah forbidden to go upstairs? Director Ayub maintains the tension of a thriller in this story of life in a golden cage.