
THREE LITTLE KUNGPOO GOATS

Other movies

WE LIVE IN TIME
Director: John Crowley
Florence Pugh and Andrew Garfield bring humour and exceptional personal chemistry to this compelling tale of love, marriage, and heartache. The movie's unique feature is that the narrative skips back and forth in time across a decade so that we absorb all of their lives – highs, lows, romance and parenthood – as a jigsaw puzzle that helps us understand their decisions in the different phases of their relationship. It's a real tearjerker that shows how ambitious chef Almut meets Tobias, a data cruncher whose marriage has just ended, and then they fall in love and have to cope with all the hurdles put in front of them. When Almut decides to enter a high-stakes cooking championship the tension between them boils over.

YALLA PARKOUR
Director: Areeb Zuaiter
One of Zuaiter’s strongest memories of her mother is her radiant smile as a young woman on the beach in Gaza on one of the family’s regular holidays to Palestine. Her cousins would mock Areeb’s “outsider” accent, but according to her mother, this was where she belonged. From her current home in the US, Zuaiter combs the web for images that evoke something of her mother and finds teenager Ahmed Matar and his friends, a parkour team who use the ruins of Gaza’s bombed buildings as obstacle courses, laughing for joy against a background of explosions. She tracks Ahmed down online and the two become friends; meanwhile, he is determined that parkour will be his route out of the prison their shared homeland has become.

SABA
Director: Maksud Hossain
Saba, 25, lives in Dhaka with her demanding mother Shirin, a paraplegic whose frustrations and rage often find a target in the daughter who cares for her. When Shirin’s worsening condition requires surgery it falls to Saba to find the money to pay for it. Securing a job at a seedy Shisha bar, Saba befriends the manager Ankur and, for the first time, pictures what a life of her own could look like. Maksud Hossain’s debut feature is a close-up look at a complicated bond between mother and daughter that lurches between love and guilt, co-dependence and the longing for autonomy - but it is also a social drama, detailing the hardships that underlay the riots in Bangladesh earlier this year.