THE TEACHER

Other movies
ALL THAT'S LEFT OF YOU
Director: Cherien Dabis
This compelling family drama traces three generations of Palestinians from 1948-2022, revealing the profound impacts of the Nakba. The story begins in 1988 with Noor, a man who joins a protest that turns violent in the West Bank. Decades later his mother, Hanan, recounts her son’s story, starting with the 1948 expulsion of his grandfather from Jaffa. Amid the hardship, the family holds on to the hope of returning to their ancestral home. A love story between Hanan and her husband Salim serves as a beacon of light. Through intimate, moving performances, this film explores how trauma and heritage shape the bonds between a grandfather, a father and son, while filled with moments of joy, love and humor.
HIJRA
Director: Shahad Ameen
A grandmother and her two granddaughters journey from Taif to Mecca. When the eldest granddaughter vanishes, the two remaining women travel north to find her, with their search highlighting the deep cultural and generational bonds between Saudi women. Set against the backdrop of the Hajj pilgrimage, Hijra portrays the intimate and emotional odyssey of these women, which evolves into a spiritual quest. Their journey carries the weight of an entire heritage and offers an emotional, powerful and insightful look at identity. Shot across eight Saudi cities, the film provides a deep dive into the nation’s rich cultural tapestry. Actress Khairia Nazmi infuses the story with profound emotion due to her strength and energy.
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.