THE MAN WHO COULDN'T LEAVE
Other movies
A SAD AND BEAUTIFUL WORLD
Director: Cyril Aris
Born during a tragic massacre in Beirut, Nino and Yasmina are cosmically bound from childhood. Through shared hardships — Nino’s loss of his parents and Yasmina’s parents’ divorce — they forge an unbreakable bond. Yasmina, dreaming of escape, proposes a magical train ride to a remote island. Nino agrees, but their plan is shattered when she moves away. Fate reunites them 24 years later, and despite her cynical view of Beirut and life, Yasmina is captivated by Nino’s optimism. She falls in love, abandoning her emigration plans, and is swept away by their connection. This is a powerful tale of longing, love and destiny, portrayed by performances that remind us of the beauty of life when viewed through love's lens.
A MATTER OF LIFE AND DEATH
Director: Anas Ba-Tahaf
A quirky love story set against the bustling backdrop of Jeddah. Convinced a generational curse will kill her on her 30th birthday, the superstitious Hayat is ready to embrace fate. Meanwhile the brilliant but shy heart surgeon Yousef suffers from a slow heartbeat, finding his only thrill when holding a scalpel. He grapples with a hidden urge to kill, which he suppresses until he meets Hayat. Fate entwines the woman who wants to die and the man who wants to kill, setting a tragic plan in motion. Everything falls into place until a life-affirming love intervenes. This exceptional tale, brought to life by a witty script and cast, uses the city’s stunning Red Sea scenery to explore the unpredictable beauty of life and connection.
SIRÂT
Director: Oliver Laxe
‘Sirat’ is a term referring to the treacherous bridge between heaven and hell. Oliver Laxe’s film is certainly an odyssey and a sonic spectacular: his hypnotic rhythms carve a path for this temporal road movie in which Sergi López plays a father who has taken his son to search for their daughter/sister, missing in Morocco’s nomadic and quasi-feral rave scene. With an apocalypse taking place offscreen, the protagonist flees across a mythical landscape with a crew of non-professional actors. Sirât glimmers between sound and fury, pounds between loss and unfathomable grief, and leads audiences to what feels like the end of creation. Spain’s Oscar entry and 2025 Cannes jury prize winner is that rare cinematic achievement: an indelible gift of sound and vision. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"