
THE INTRUSION
Other movies

LUMIÈRE, LE CINÉMA
Director: Thierry Frémaux
A contemporary film collating works shot by Louis and Auguste Lumiere from the earliest years of cinema, superbly preserved and restored by the Lumiere Institute in Lyon. Cannes Film Festival director Thierry Frémaux provides an informative commentary as toddlers squabble, a magician performs a trick and a train pulls into a station; the score is by Gabriel Faure, a composer favoured by the Lumiere brothers themselves. More than a hundred short films of 50 seconds each, provide a window both into ordinary life around the turn of the 19th century – not only in France but in places as far-flung as Japan and Algeria - and the wonder felt at the Lumieres’ astonishing invention, the cinematograph, a miracle whose magic continues.

NAPOLI - NEW YORK
Director: Gabriele Salvatores
The Italian city of Naples, devastated by World War II, lies in ruins; orphaned children Carmine and Celestina survive life in the rubble-strewn streets by helping each other. Like so many others, they dream of going to America, where Celestina’s sister went two years earlier. One night, they stow away on a ship with an eccentric captain bound for New York, where they join hordes of Italian emigrants hoping for a better life in this strange new country. Oscar-winning director Gabriele Salvatores shoots a rediscovered script by the Italian maestro Federico Fellini and scriptwriter Tullio Pinelli, who wrote it together 80 years ago as young aspiring film-makers before they collaborated on such classics as La Dolce Vita and 8 1/2. A story by Federico Fellini and Tullio Pinelli

FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.