THE HEYSEL TRAGEDY
Other movies
AÏCHA
Director: Mehdi M. Barsaoui
Aya is the sole survivor of a bus crash on a mountain road. When she realises that nobody knows she is alive, she makes a snap decision to escape her dead-end village existence and become someone else. In thriving, liberal Tunis, she calls herself Amira, a thrilling change until one of those men is murdered and the investigating police start to question “Amira”’s sketchy life story. Fatma Sfar is vivid and immediately sympathetic as Aya/Amira, while narrative twists and nested details gradually reveal that she isn’t the only trickster with something to hide. Aicha was judged Best Mediterranean Film from the Academy of Fine Arts at this year’s Venice Film Festival.
MY WAY
Director: Thierry Teston
Many people are unaware that the iconic song My Way, most famously recorded by Frank Sinatra but covered by everyone from Pavarotti to Sid Vicious and Robbie Williams, was based on the melody of a French tune. In 1967, composer Jacques Revaux and singer Claude Francois wrote Comme D'habitute while sitting by Francois’ swimming pool. Not long after that, it made its way to the United States, where Paul Anka wrote the words that Frank Sinatra would make famous; since then, it has crossed eras, borders and generations. In commemoration of 50 years of My Way, the directors assemble archival footage, interview musicians and unearth new anecdotes to piece together the tune's history, with the song personified by Jane Fonda's narration.
SONGS OF ADAM
Director: Oday Rasheed
The year is 1946. Under the strict orders of their father, Adam drags his younger brother Ali to witness their grandfather's corpse get washed before burial. Their cousin Iman, their constant playmate, is excluded from the ritual because she is a girl. The sight of the corpse has a profound effect on Adam; he announces that he doesn’t want to grow up and, from that moment on, he stops aging. As the years pass, the villagers come to believe Adam is cursed, while his brother, grappling with his own aging, feels Adam should be institutionalized. Only Iman and Anki, a shepherd and Adam’s lifelong best friend, see his condition as a blessing, preserving in him the pure, innocent goodness of a child. A haunting and beautiful story set against the oases and dust storms of Iraq.