
THE ABSENCE OF EDEN

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In-Conversation with Spike Lee
Director: Shelton Jackson Spike Lee
Academy Award® Winner SPIKE LEE’s iconic body of storytelling has made an indelible mark on filmmaking and television. Lee is a five-time Oscar nominee (Do The Right Thing for Original Screenplay, 4 Little Girls for Documentary Feature, BlacKkKlansman for Picture, Director and Best Adapted Screenplay-Winner) and was awarded an Honorary Oscar in 2015 for his lifetime achievement and contributions to the state of motion picture arts and sciences. In 2018, the visionary filmmaker co-wrote and directed the Academy Award®-nominated and critically acclaimed hit feature BlacKkKlansman, which won the Oscar® for Best Adapted Screenplay. Lee’s career spans over 30 years and includes: She’s Gotta Have It, School Daze, Do the Right Thing, Mo' Better Blues, Jungle Fever, Malcolm X, Crooklyn, Clockers, Girl 6, Get on the Bus, He Got Game, Summer of Sam, Bamboozled, 25th Hour, She Hate Me, Inside Man, Miracle at St. Anna, Red Hook Summer, Old Boy, and Chi-Raq. Lee’s outstanding feature documentary work includes the double Emmy® Award-winning If God Is Willing and Da Creek Don't Rise, a follow up to his HBO documentary film When the Levees Broke: A Requiem in Four Acts and the Peabody Award-winning A Huey P Newton Story. In August 2021, he directed and produced the four-part documentary essay NYC EPICENTERS 9/11➔2021½ released by HBO and streamed on HBO Max. His directed version of David Byrne’s American Utopia (2021) was also released by HBO. Lee is also known for his legendary Air JordanTV commercials and marketing campaigns with Michael Jordan for Nike. In 1997, he launched the advertising agency Spike DDB, a fully integrated agency with a focus on trendsetter, cross-cultural, and millennial audiences. In 2021, Lee directed new additions to the Capital One “Road Trip” national campaign featuring Samuel L. Jackson and Charles Barkley. In addition to his films, TV series, and commercials, Lee has directed a number of music videos and shorts for artists such as Michael Jackson, Prince, Public Enemy, Branford Marsalis, Bruce Hornsby, Miles Davis, and Anita Baker. In recent years, Lee has cultivated a successful creative partnership with Netflix, directing and producing narrative features under a multi-year deal with the streamer. His collaborations with Netflix include: Da 5 Bloods (which he directed and co-wrote), the series She’s Gotta Have It(which he created, wrote and directed), the film version of Rodney King (which he directed) and the Stefon Bristol sci-fi film See You Yesterday(which he produced). Lee’s upcoming film is a reimagining of the Akira Kurosawa classic film High and Low. The film stars Denzel Washington and will be released in 2025 by A24 and Apple. Lee is a graduate of Morehouse College and New York University’s Tisch School of the Arts, where he is a tenured Professor of Film and Artistic Director. Lee’s Production Company 40 Acres and a Mule Filmworks is based in Da Republic of Brooklyn, NY. Most recently Mr.Lee Received The National Medal Of Arts And Humanities From President Joe Biden. Spike was Also inducted into The Naismith Basketball Hall Of Fame As A SuperFan along side Jack Nicholson And Billy Crystal.

K-POPS
Director: Anderson .Paak
Eight-time Grammy winner Anderson .Paak makes his film debut with the story of a washed-up drummer whose life turns around when he meets his teenage son for the first time. Paak himself plays the father BJ, who is still holding out in middle age for rock’n’roll stardom; his real-life son Soul Rasheed plays the fictional Tae Young, whose mother Yeji is Korean. When BJ gets an unexpected gig on a Korean talent show, he discovers Tae Young, a hotly-tipped contestant. Eager to make up for lost parenting time, BJ becomes the boy’s mentor – but the truth is that he needs help to grow up himself. Riffing off their real family relationships, .Paak’s comedy is an instant winner full of charm and K-Pop fandom.

HANAMI
Director: Denise Fernandes
The remote volcanic island of Fogo, off the coast of Cape Verde, is a difficult place to make a living. Like many other young people, Nia chooses to go, leaving her new baby Nana to be raised by her grandmother. Nana is observant and sensitive; when she develops a high fever and is sent to recover with a healer under the volcano, she immediately responds to the magical atmosphere of the island’s interior. It is as if the island itself, along with the network of women who give the film a strong feminine energy, is caring for her. A moving story about longing and belonging, culminating in the older Nana’s quandary: should she stay here forever, or follow her mother into the wider world?

EEPHUS
Director: Carson Lund
New England, an amateur baseball game is being played in front of empty stands, from morning until nightfall. It’s the team's last match: tomorrow, the demolition of the arena will begin. Eephus refers to a particular pitch – a slow curveball that is difficult to hit – but one doesn't need to know the rules of baseball to grasp the ways of this world: a certain American, rural and masculinist culture. Awkward, aging and out of shape, the men are as enthusiastic about the drinks they bring to the game as they are about bats and balls. The bonds forged by the game are deep, however - and, by extension, so is their love of baseball itself in this touching and funny analogy of America.