Skip to content
R15

SONNE

Genre
Drama
Running time
88 minutes
Year
2022
Language
German and Kurdish
Subtitle
English
Country
Austria
Director
Kurdwin Ayub
Bio
Producer
Georg Aschauer, Ulrich Seidl, Veronika Franz
Cast
Melina Benli, Law Wallner, Maya Wopienka
Scriptwriter
Kurdwin Ayub
Kurdish Austrian Yesmin (Melina Benli) isn’t especially religious, but she wears a hijab in public. At home, she has no problem filming her best friends Bella (Law Wallner) and Nati (Maya Wopienka) twerking in her mother’s prayer garments for TikTok. When they suddenly go viral – with a rendition of REM’s Losing My Religion - Yesmin’s habitually disagreeable mom Awini (Awini Barwari) is aghast. By contrast, her father, Omar (Omar Ayub), proudly shows the clip to all his friends. Soon the girls are being asked to perform in costume at Kurdish parties, an exotic adventure for Yesmin’s friends but disquieting for Yesmin’s already shaky teenage sense of self. Drawing on her own life, Kurdwin Ayub uses the melange of traditional and immigrant cultures as background to a story about the pressures of a life lived on social media. An extraordinary coming-of-age story about being a young Muslim in Europe that will make you laugh, cry and sing.

Other movies

HOLES

Director: Abdulmohsen Aldhabaan

Rakan and his wife Rim are looking for an apartment to rent instead of living with his aged mother. It seems they have found the right spot, except for the hole in the wall that looks as if someone bashed it with a hammer. Rakan seems strangely unengaged, however, barely speaking to his wife. Gradually, as we slip from present to past, we piece together the story that explains his barrage of unwanted calls, chance encounters with shady characters and outbreaks of violence. When his mother’s home is burgled and she is attacked, he is confronted by the person he least wants to see.

ZORRO

Director: Jean Baptiste Saurel

In 1821, after the unexpected death of his father, Don Diego de la Vega (the always charismatic Jean Dujardin) is named mayor of Los Angeles, a city facing massive financial trouble and with greedy businessman Don Emmanuel close to taking over the city of angels. Don Diego feels that the answer is to bring back Zorro, but it's been 20 years since he's worn the mask, and he isn't getting any younger. While the old costume just about fits, Don Diego struggles to balance his dual identity as both Zorro and mayor. And though his wife Gabriella is unaware of his secret identity, she certainly takes an interest in the mystery man in the black cape. A humorous reimaging of the legend.

HOBAL

Director: Abdulaziz Alshlahei

Liam of 80 years embraces the belief in the proximity of the "Hour of Resurrection" after the emergence of signs confirming his claim, the latest of which was the outbreak of the second Gulf War, which makes him insist on staying away from people and forcing his family with him to be cut off from all means of civilization so as not to be inflicted by torment, so the family obeys his instructions except "Assaf" who loves his cousin "Reefah" who is infected with "measles" after it spread within the family and fears that death will take her from him after his cousin died with the same disease, and tries to escape with her for treatment in the city that he has not seen since he was created, and repeats attempts until the opportunity comes to save her, which is not in his favor after he was encouraged by Grandfather Liam disappears in one of the ground cavities "Dahl" in the desert, and to remain confused whether he is alive or dead, which causes a conflict between his children so to who remain committed to his instructions, which stipulate the approaching hour and those who decide to disregard them.

RED PATH

Director: Lotfi Achour

Ashraf, a shepherd boy working with his teenage cousin in impoverished northern Tunisia faces the unimaginable when Islamic State terrorists set on them and behead his cousin Nizar in front of him. Ashraf has no choice but to take the head back to his family, who can do nothing: the terrorists are a constant threat, while the police are indifferent to the problems of poor herders. Nizar’s parents fixate on trying to recover his body for a proper burial, but Ashraf has no way of dealing with his trauma, clinging to the visions he has of Nizar during which he can talk to his cousin’s ghost. An extraordinary journey into the wounded psyche of a child in a war zone, heightened by Ali AlHleili’s captivating performance.