SOLATIA
Other movies
FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.
EAST OF NOON
Director: Hala Elkoussy
Stuck in a sandy enclave in the middle of nowhere, aspiring musician Abdo divides his time between digging graves and creating music using household implements. Along with his Nunna, he is plotting his escape to a wider world while scheming to survive the everyday tyranny of the enclave boss, Master Shawky. A story that is very much about the power of story-telling, with some of the flavour of the Arabian Nights, the evocatively titled East of Noon is shot largely in black and white. This surface beauty gives its familiar theme of youthful revolt a surreal, fantastical quality, allowing ideas that would otherwise be taboo to float free.
6 AM
Director: Mehran Modiri
Sarah is leaving Teheran for three years to study for her doctorate in Canada. Her flight is at 6 am. After an emotionally fraught final dinner with her family, she heads to an impromptu farewell party at her friend Farida’s apartment, intending to go straight to the airport afterwards. That plan implodes, however, when the morality police swoop in. Drinks are emptied, musical instruments hidden and women put on their overcoats, while Sarah is seized with terror that they will all be arrested – and she, of course, will miss her plane. Mehran Modiri, Iran’s popular satirist, who also has a chilling cameo as a police hostage negotiator, proves here that he is just as at home with a nail-biting drama.
ZERO
Director: Jean Luc Herbulot
In the bustling heart of Dakar, Senegal, two white Americans wake to a nightmare: bombs strapped to their chests, and they only have ten hours before they explode. With no idea who’s behind it, their only hope for survival is to listen to the instructions of a mysterious voice on the phone, forcing them to complete a series of bizarre and perilous tasks across the city. As they race against time in this twisted scavenger hunt, the vibrant streets of Dakar become a high-stakes labyrinth of survival. Darkly thrilling and filled with unexpected political commentary on colonialism and African society, this tense and exciting pulse-pounding thriller keeps you guessing until the very last second—because in this world, every move counts.