SNOW IN MIDSUMMER

Other movies
EARLY DAYS
Director: Priyankar Patra
Filmmaker Priyankar Patra captures the zeitgeist of young love in this fresh-feeling romantic drama. The film follows the beginnings of a relationship between Preeti and Samrat, an aspirational couple in their mid-twenties who have just moved to the megalopolis of Mumbai. As they share their love story via reels on social media, where the immediate validation and promises of quick money initially seduces, and then propels them into the world of influencers. The film explores the impact of social media on contemporary relationships, while its cinematography creates an intimate and voyeuristic viewing experience, similar to that that of social media voyeurism. With its topical subject and natural performances, Early Days is a relatable watch.
GHOST SCHOOL
Director: Seemab Gul
This gentle yet arresting debut feature from Seemab Gul centers around 10-year-old Rabia, a clear-eyed, logical-thinking, courageous child protagonist who wants to understand the real reason for the abrupt closure of her school. Rumours start that the school is haunted and her teacher is possessed by supernatural beings. However, her day-long quest for the truth, fuelled by her simple desire for an education, leads her into an adult world that has been plunged into superstition. What soon becomes clear are the machinations behind a corrupt regime and classist society, giving way to the nature of its real victims. Ghost School is a bittersweet portrayal of injustice for Rabia and the hope of a better future for all younger generations.
YUNAN
Director: Ameer Fakher Eldin
Haunted by a cryptic family parable, Munir (Georges Khabbaz) flees to a remote island to contemplate a drastic decision. Here he encounters the enigmatic Valeska and her rough, loyal son, Karl. With few words exchanged and quiet acts of kindness, suspicion dissolves, easing Munir’s burden and reigniting his desire to live. Much like the prophet Jonah, who was spit out by the sea and then returned to land, Munir finds himself a stranger in the world, struggling with alienation and aborted dreams. As his mother's memory fades, he also struggles to recall a story about a cursed shepherd his mother told him. A captivating visual fable, the film immerses us in Munir's consuming frustration. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
PRIMAVERA
Director: Damiano Michieletto
Primavera is a haunting story set in a vividly recreated Venice, a tale of art and music, opportunity and repression. Damiano Michieletto’s drama transports us to the Ospedale della Pietà in the early 1700s, an orphanage where musically gifted girls perform new works as part of a lucrative orchestra. When Antonio Vivaldi is hired, he identifies Cecilia’s clear talent and makes her first violin, but her fate has been long-since foretold. Tecla Insolia plays Cecilia with a tenderness that cuts through time — her predicament reverberating across the ages. While not completely factual, Vivaldi did teach at the Ospedale for 40 years, and the film is based on a literary novel whose core truth resonates here.