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Other movies
ROSE OF NEVADA
Director: Mark Jenkin
Rose Of Nevada is eerie, poignant and the tides are treacherous in this mysterious, daring work. Having brought Enys Men to Red Sea Film Festival in 2022, Mark Jenkin returns with his unique vision in this trenchant time-travelling tale of eternal loss. Two of the UK’s most exciting young actors, George MacKay and Callum Turner, headline this story initially set in a forgotten Cornish fishing village. Nick (MacKay) is trying to fix the roof over his head when he signs up as crew on a mysterious trawler called Rose of Nevada. Liam (Turner) is the stranger who drifts into town and ends up on board. All however, is not as it seems.
HIJRA
Director: Shahad Ameen
A grandmother and her two granddaughters journey from Taif to Mecca. When the eldest granddaughter vanishes, the two remaining women travel north to find her, with their search highlighting the deep cultural and generational bonds between Saudi women. Set against the backdrop of the Hajj pilgrimage, Hijra portrays the intimate and emotional odyssey of these women, which evolves into a spiritual quest. Their journey carries the weight of an entire heritage and offers an emotional, powerful and insightful look at identity. Shot across eight Saudi cities, the film provides a deep dive into the nation’s rich cultural tapestry. Actress Khairia Nazmi infuses the story with profound emotion due to her strength and energy.
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.