
SALEEM

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MONSIEUR AZNAVOUR
Director: Mehdi Idir
Charles Aznavour, the son of Armenian immigrants who became a defining voice of France, died in 2018 aged 94. Two years later, his sons, Mischa and Nicolas, announced they had been working with their father on a biopic to be released this year: Aznavour’s centenary. This stunning musical drama is an intimate portrait of the artist’s life that's packed with biographical information. Growing up in poverty gave him an unswerving determination to reach the top; by the 1940s, he was playing cabarets with Pierre Roche, but his ambition was a solo career and a mass audience. Tahir Rahim plays Aznavour in a drama punctuated with disarmingly honest anecdotes from family members, giving us both the man and, of course, his music.

MARIA
Director: Pablo Larraín
Maria Callas, the greatest opera singer the world has seen, died aged only 53 in her sumptuous Parisian apartment, discovered by the devoted servants who had spent their days hiding her pills and trying to persuade her to eat. She had not sung in public for years. Larrain’s swirling work of fantasy shows La Callas remembering - or hallucinating - performances from her past, her long affair with Aristotle Onassis and her loveless childhood in wartime Athens, where she sang for German soldiers. Wandering Paris in her last days, Maria is trailed by an imaginary journalist to whom she tries to explain the pain and effort of creation. Angelina Jolie conveys Callas’s grandeur and her inner tumult in a landmark performance.

MOON
Director: Kurdwin Ayub
Sarah, a former mixed martial arts champion in Austria, knows she needs to make a new start. While her sister urges her to start a business, she jumps at an unexpected offer to go to Jordan to train three teenage daughters of a dazzlingly rich family living in an isolated, fiercely guarded mansion. Sarah soon sees that the girls don’t want to train, but have little else in their closeted lives: no internet allowed, no friends and only rare outings to the mall, where they are closely watched, for entertainment. The house, moreover, seems to hold its own secrets; why is Sarah forbidden to go upstairs? Director Ayub maintains the tension of a thriller in this story of life in a golden cage.