
ROGUE HEROES
Other movies

FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.

SHAFIKA AND METWALI
Director: Ali Badrakhan
Chosen by festival Honoree guest Mona Zaki, who is fascinated by the iconic Egyptian actress Souad Hosni. Drawing on a folk tale about a young man who murders his wayward sister, Ali Badrakhan gave the traditional story a new timeframe and socio-political twist, creating a work of art in the process. Metwally is a villager forced by the authorities to work as a labourer on the Suez Canal project, leaving his sister Shafiqi (Souad Hosni) alone and destitute. When he eventually returns, he discovers that his sister has succumbed to the attentions of the district chief’s son, dishonoring the family, and kills her. The original story saw him as justified, but Badrakhan gives it another twist to show both brother and sister as victims of an oppressive social system. The film was an immediate success; it remains a beloved classic.

MOON
Director: Kurdwin Ayub
Sarah, a former mixed martial arts champion in Austria, knows she needs to make a new start. While her sister urges her to start a business, she jumps at an unexpected offer to go to Jordan to train three teenage daughters of a dazzlingly rich family living in an isolated, fiercely guarded mansion. Sarah soon sees that the girls don’t want to train, but have little else in their closeted lives: no internet allowed, no friends and only rare outings to the mall, where they are closely watched, for entertainment. The house, moreover, seems to hold its own secrets; why is Sarah forbidden to go upstairs? Director Ayub maintains the tension of a thriller in this story of life in a golden cage.