RHINEGOLD
Other movies
TALES ON THE BANKS OF THE BOSPHORUS
Director: Zeina Sfeir
Stories and tales that have spread to over 150 countries worldwide, exploring themes of lost love, the foundations of life and family, and human stories devoid of "superheroes," were filmed in beautiful Turkish cities with brilliant stars who have won the hearts of viewers: this is the Turkish drama, known as "dizi." Today, the "dizi" genre is considered among the most successful series, enjoying immense popularity across the Arab world and as far away as South America and Africa. The question arises: how has an industry from a country with little foothold in distribution and filming in a minority language managed to achieve such rapid and extensive global reach? Through interviews on set with directors, producers, distributors, and stars, we uncover the secrets behind the success and behind-the-scenes stories of this drama.
CROCODILE TEARS
Director: Tumpal Tampubolon
On a Crocodile Farm in West Java, Indonesia, a young boy reaches puberty, and his problems with his mother start. Johan, a young man tethered to his mother, Mama, by invisible but unbreakable chains, dreams of freedom yet remains under her suffocating grip. Isolated from the world, their life on the farm is a tense routine of survival and emotional manipulation, disrupted only when a young woman’s arrival threatens the delicate balance. As Johan begins to see through Mama’s relentless hold, he confronts the painful reality of their bond: is it love, or is it tyranny? Director Tumpal Tampubolon dives deep into the tangled web of family loyalty and control in this haunting drama raising timeless questions about family, power, and the cost of independence.
LUMIÈRE, LE CINÉMA
Director: Thierry Frémaux
A contemporary film collating works shot by Louis and Auguste Lumiere from the earliest years of cinema, superbly preserved and restored by the Lumiere Institute in Lyon. Cannes Film Festival director Thierry Frémaux provides an informative commentary as toddlers squabble, a magician performs a trick and a train pulls into a station; the score is by Gabriel Faure, a composer favoured by the Lumiere brothers themselves. More than a hundred short films of 50 seconds each, provide a window both into ordinary life around the turn of the 19th century – not only in France but in places as far-flung as Japan and Algeria - and the wonder felt at the Lumieres’ astonishing invention, the cinematograph, a miracle whose magic continues.
YALLA PARKOUR
Director: Areeb Zuaiter
One of Zuaiter’s strongest memories of her mother is her radiant smile as a young woman on the beach in Gaza on one of the family’s regular holidays to Palestine. Her cousins would mock Areeb’s “outsider” accent, but according to her mother, this was where she belonged. From her current home in the US, Zuaiter combs the web for images that evoke something of her mother and finds teenager Ahmed Matar and his friends, a parkour team who use the ruins of Gaza’s bombed buildings as obstacle courses, laughing for joy against a background of explosions. She tracks Ahmed down online and the two become friends; meanwhile, he is determined that parkour will be his route out of the prison their shared homeland has become.