NORAH
Other movies
NAPOLI - NEW YORK
Director: Gabriele Salvatores
The Italian city of Naples, devastated by World War II, lies in ruins; orphaned children Carmine and Celestina survive life in the rubble-strewn streets by helping each other. Like so many others, they dream of going to America, where Celestina’s sister went two years earlier. One night, they stow away on a ship with an eccentric captain bound for New York, where they join hordes of Italian emigrants hoping for a better life in this strange new country. Oscar-winning director Gabriele Salvatores shoots a rediscovered script by the Italian maestro Federico Fellini and scriptwriter Tullio Pinelli, who wrote it together 80 years ago as young aspiring film-makers before they collaborated on such classics as La Dolce Vita and 8 1/2. A story by Federico Fellini and Tullio Pinelli
KRAVEN THE HUNTER
Director: J. C. Chandor
Kraven is the iconic villain of the Spiderman comics, a monstrous big-game hunter dedicated to pursuing Spidey to the ends of the earth. This is his origin story, showing how Kraven’s complex relationship with his ruthless father Nicholas Kravinoff (Russell Crowe) gives him the drive to become the most brutal, feared hunter in the world, relentlessly obsessed with vengeance. Filmed on location in Iceland, it stars Aaron Taylor-Johnson as Kraven surrounded by other vividly villainous characters: assassins, mercenaries and a voodoo priestess, Calypso, whom Kraven romances. Visceral and action-packed, this is the sixth instalment in Sony’s Spiderman Universe. Spiderman does not appear, however, because, during the period this adventure is set, he has yet to become the terrifying Kraven’s fixation.
EEPHUS
Director: Carson Lund
New England, an amateur baseball game is being played in front of empty stands, from morning until nightfall. It’s the team's last match: tomorrow, the demolition of the arena will begin. Eephus refers to a particular pitch – a slow curveball that is difficult to hit – but one doesn't need to know the rules of baseball to grasp the ways of this world: a certain American, rural and masculinist culture. Awkward, aging and out of shape, the men are as enthusiastic about the drinks they bring to the game as they are about bats and balls. The bonds forged by the game are deep, however - and, by extension, so is their love of baseball itself in this touching and funny analogy of America.
TO KILL A MONGOLIAN HORSE
Director: Xiaoxuan Jiang
Saina’s father never taught him to ride: he simply put him on the back of a horse, a Mongolian herdsman’s natural habitat. Saina now earns his living performing spectacular tricks in equestrian shows for tourists, trying to make enough money to cover his father’s gambling debts as well as support his little son. His true vocation, however, is caring for his sheep and horses on the grasslands that stretch as far as the eye can see - a way of life under threat from climate change, encroaching poverty and profiteering mining companies. A moving, superbly shot portrait of a man clinging to the things that make that life worthwhile: the endless sky, the silence, his herdsman’s heritage and his beloved horses.