
NEZOUH
Other movies

FREEDOM WAY
Director: Afolabi Olalekan
When two young software engineers set up EasyGo, a ride-sharing scheme for commercial motorcyclists in hectic Lagos, it is a godsend to riders like Abiola, who is soon depending on its customers to support his family. The success of the app, however, attracts the attention of corrupt police and government ministers who contrive to get it banned. Other stories – one about a doctor wrestling with his conscience, one about two police officers at loggerheads over the common practice of shaking down young people in the street – show that this kind of low-level violence is everywhere.. Like Lagos itself, the melodramatic storylines are fast and intense; as the characters’ stories start to dovetail, as if the city itself were pushing them together.

HOLES
Director: Abdulmohsen Aldhabaan
Rakan and his wife Rim are looking for an apartment to rent instead of living with his aged mother. It seems they have found the right spot, except for the hole in the wall that looks as if someone bashed it with a hammer. Rakan seems strangely unengaged, however, barely speaking to his wife. Gradually, as we slip from present to past, we piece together the story that explains his barrage of unwanted calls, chance encounters with shady characters and outbreaks of violence. When his mother’s home is burgled and she is attacked, he is confronted by the person he least wants to see.

In-Conversation with Benedict Cumberbatch
Director: Benedict Cumberbatch
Known for his work on screen and stage, Benedict Cumberbatch has received various accolades, including a BAFTA TV Award, a Primetime Emmy Award and a Laurence Olivier Award, in addition to nominations for two Academy Awards and four Golden Globes.

FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.