MOTHER, COUCH

Other movies
DESERT WARRIOR
Director: Rupert Wyatt
Rupert Wyatt's Desert Warrior is set in seventh-century Arabia at a time of feuding tribes vying for power and supremacy. Courageous Princess Hind (Aiysha Hart) refuses to serve as concubine to the merciless Sassanid Emperor Kisra (Sir Ben Kingsley). Escaping with her father, King Numan (Ghassan Massoud) into the vast and unforgiving desert, Princess Hind is pursued by Kisra’s mercenary, Jalabzeen (Sharlto Copley) and his bloodthirsty troops. Father and daughter are forced to trust a mysterious bandit (Anthony Mackie). Against all odds, Princess Hind unites the fractious tribes against the powerful invading military of the Sassanid Empire. In an epic showdown, the Battle of Ze Qar will forever change the Arabian Peninsula and echo throughout history.
THE STORIES
Director: Abu Bakr Shawky
In the summer of 1967 in Egypt, aspiring pianist Ahmed begins a long-distance friendship with Liz, his Austrian pen-pal. Their bond, met with suspicion by relatives, helps drive Ahmed’s pursuit of his dream: to perform in a public concert. As they navigate life’s joys and heartaches, their connection and shared ambition endure through the war, family drama and societal opposition they face in Egypt during the 1980s. The film, like Yomeddine, is infused with the director's distinct personality, showing his talent for creating characters and dialogue that are touching and memorable. This is a vivid and authentic tribute to Egypt, capturing a love story filled with the innocence and ambition of a generation during a key period in Arab history.
WEDDING REHEARSAL
Director: Amira Diab
Tamara, with a child from a marriage that did not last long, is from an impoverished aristocratic family. To save her family from bankruptcy, Tamara is to marry Hassan Al-Dabbah, owner of one of the largest meat empires in the Middle East. Despite his wealth, Hassan comes from a nouveau riche family. Shortly before the wedding, the families spend a week together to oversee the wedding preparations. The differences between the families becomes apparent, and behind the fake smiles, all parties supervise the final wedding details. These details are overseen by Omar, Tamara’s old love, who has created a rock sculpture to give a unique character to the wedding. This sculpture will become the source of several disputes during the wedding.