MANITY
Other movies
THE LAST RONIN
Director: Maksim Shishkin
Haunted by the ghosts of the past, lone traveller Ronin wanders the post-apocalyptic wastelands in search of his father's killer. The devastation caused by climate change led to a global nuclear war, destroying civilisation as we know it: lands are scorched and cities destroyed. Electrical equipment no longer works and gasoline has long lost the properties that made it the world's greatest resource. The main currency in this new world is AK47 cartridges. Everywhere Ronin goes, he encounters blood-thirsty headhunters and rogue gangs all fighting for scraps in this dangerous new world. Then, one day, Ronin meets a wayward teenage girl who offers him a precious bounty for escorting her to her birthplace, a journey that will require all his fighting skills.
HEAT
Director: Michael Mann
Michael Mann directs one of the greatest police thrillers in movie history. A slow-burn cat and mouse criminal chase masterpiece featuring memorable turns from movie legends Al Pacino and Robert De Niro. Taking place in the aftermath of a truck robbery, an obsessive detective (Pacino) hunts down the crew of Neil McCauley (De Niro), a ruthless professional thief, through the Los Angeles labyrinth. Both men are battling their own domestic demons forcing them to take stock of their lives and despite being on opposite sides of the law, their lives have uncanny parallels. The battle between the men ramps up as McCauley’s crew embarks on a new heist. Mann’s tension-inducing reserved approach, the spectacular cinematography and incredible action scenes keeps the suspense levels high throughout.
FREEDOM WAY
Director: Afolabi Olalekan
When two young software engineers set up EasyGo, a ride-sharing scheme for commercial motorcyclists in hectic Lagos, it is a godsend to riders like Abiola, who is soon depending on its customers to support his family. The success of the app, however, attracts the attention of corrupt police and government ministers who contrive to get it banned. Other stories – one about a doctor wrestling with his conscience, one about two police officers at loggerheads over the common practice of shaking down young people in the street – show that this kind of low-level violence is everywhere.. Like Lagos itself, the melodramatic storylines are fast and intense; as the characters’ stories start to dovetail, as if the city itself were pushing them together.