MANDOOB

Other movies
ERUPCJA
Director: Pete Ohs
Pack your bags for a weekend in Warsaw, Poland in the company of an ensemble cast of characters who criss-cross, connect and re-connect at pivotal junctures. Bethany (Charli XCX) is on a romantic getaway with Rob (Will Madden), who plans to propose, but she hasn’t been entirely honest about her past, or her friendship with Nel (Lena Góra) a florist. Every time they meet there’s a seismic event, an Erupcja (eruption) which leads them down different paths. With Jeremy O. Harris on hand for advice, Pete Ohs’ film resonates, capturing a mood that feels fresh and filled with possibilities. The film is reminiscent of the New Wave and the Before series, but, like Bethany, Eurpcja is its own force.
GHOST SCHOOL
Director: Seemab Gul
This gentle yet arresting debut feature from Seemab Gul centers around 10-year-old Rabia, a clear-eyed, logical-thinking, courageous child protagonist who wants to understand the real reason for the abrupt closure of her school. Rumours start that the school is haunted and her teacher is possessed by supernatural beings. However, her day-long quest for the truth, fuelled by her simple desire for an education, leads her into an adult world that has been plunged into superstition. What soon becomes clear are the machinations behind a corrupt regime and classist society, giving way to the nature of its real victims. Ghost School is a bittersweet portrayal of injustice for Rabia and the hope of a better future for all younger generations.
LOST LAND
Director: Akio Fujimoto
In this quietly powerful, first-ever Rohingya-language feature, Japanese filmmaker Akio Fujimoto offers a haunting, intimate portrait of two siblings fleeing persecution in Myanmar. With nothing but vague directions and each other, nine-year-old Somira and her younger brother Shafi begin a harrowing journey to join an uncle in Malaysia, crossing borders by sea and land and navigating a world shaped by smugglers, fear and exploitation. With a cast of non-professional actors, most of whom lived refugee experiences, the film blends realism with lyrical restraint. Eschewing melodrama for quiet observation, Fujimoto captures the disorientation of displacement and the uncertainty of fragile hopes. Lost Land is a timely, deeply human reflection on survival, resilience and the Rohingya’s eternal search for a place to call home.