
KUM-KUM

Other movies

EAST OF NOON
Director: Hala Elkoussy
Stuck in a sandy enclave in the middle of nowhere, aspiring musician Abdo divides his time between digging graves and creating music using household implements. Along with his Nunna, he is plotting his escape to a wider world while scheming to survive the everyday tyranny of the enclave boss, Master Shawky. A story that is very much about the power of story-telling, with some of the flavour of the Arabian Nights, the evocatively titled East of Noon is shot largely in black and white. This surface beauty gives its familiar theme of youthful revolt a surreal, fantastical quality, allowing ideas that would otherwise be taboo to float free.

THE LAST RONIN
Director: Maksim Shishkin
Haunted by the ghosts of the past, lone traveller Ronin wanders the post-apocalyptic wastelands in search of his father's killer. The devastation caused by climate change led to a global nuclear war, destroying civilisation as we know it: lands are scorched and cities destroyed. Electrical equipment no longer works and gasoline has long lost the properties that made it the world's greatest resource. The main currency in this new world is AK47 cartridges. Everywhere Ronin goes, he encounters blood-thirsty headhunters and rogue gangs all fighting for scraps in this dangerous new world. Then, one day, Ronin meets a wayward teenage girl who offers him a precious bounty for escorting her to her birthplace, a journey that will require all his fighting skills.

DREAMING OF LIONS
Director: Paolo Marinou-Blanco
For anyone who likes to laugh at events that should make you want to cry Dreaming of Lions will be your favourite movie of the year. This absurdist tragicomedy from Greek-Portuguese director Paulo Marinou-Blanco introduces us to Gilda, a terminally ill woman whose dying wish is for her painful existence to stop as quickly and peacefully as possible. When her attempts at ending her life fail, she seeks professional help and discovers the Joy Transition International. She attends their funny meetings, which bring new friends, a lover and 99 problems. However, when she finds out that the organisation is not what it seems, she and her new beau decide to take matters into their own hands with heartwarming results.

HANAMI
Director: Denise Fernandes
The remote volcanic island of Fogo, off the coast of Cape Verde, is a difficult place to make a living. Like many other young people, Nia chooses to go, leaving her new baby Nana to be raised by her grandmother. Nana is observant and sensitive; when she develops a high fever and is sent to recover with a healer under the volcano, she immediately responds to the magical atmosphere of the island’s interior. It is as if the island itself, along with the network of women who give the film a strong feminine energy, is caring for her. A moving story about longing and belonging, culminating in the older Nana’s quandary: should she stay here forever, or follow her mother into the wider world?