KERATIN DAY
Other movies
WEDDING REHEARSAL
Director: Amira Diab
Tamara, with a child from a marriage that did not last long, is from an impoverished aristocratic family. To save her family from bankruptcy, Tamara is to marry Hassan Al-Dabbah, owner of one of the largest meat empires in the Middle East. Despite his wealth, Hassan comes from a nouveau riche family. Shortly before the wedding, the families spend a week together to oversee the wedding preparations. The differences between the families becomes apparent, and behind the fake smiles, all parties supervise the final wedding details. These details are overseen by Omar, Tamara’s old love, who has created a rock sculpture to give a unique character to the wedding. This sculpture will become the source of several disputes during the wedding.
YUNAN
Director: Ameer Fakher Eldin
Haunted by a cryptic family parable, Munir (Georges Khabbaz) flees to a remote island to contemplate a drastic decision. Here he encounters the enigmatic Valeska and her rough, loyal son, Karl. With few words exchanged and quiet acts of kindness, suspicion dissolves, easing Munir’s burden and reigniting his desire to live. Much like the prophet Jonah, who was spit out by the sea and then returned to land, Munir finds himself a stranger in the world, struggling with alienation and aborted dreams. As his mother's memory fades, he also struggles to recall a story about a cursed shepherd his mother told him. A captivating visual fable, the film immerses us in Munir's consuming frustration. "This film contains scenes that may be considered sensitive for some viewers. Viewer discretion is advised"
NORMAL
Director: Ben Wheatley
Normal's night of reckoning and west-meets-east thrills and blood-spills is dark, absurdly funny and drenched in its own B movie with A movie viewing sensibility. Back in trenchant Free Fire form, Ben Wheatley directs Bob Odenkirk (Better Call Saul, the Nobody movies) from a script by Odenkirk and John Wick creator Derek Kolstad. It's mid-winter, and Odenkirk is Ulysses, a laid-back, somewhat oblivious sheriff on a temporary job in a tiny Minnesota town where all is certainly not what it seems — as heavily signalled by an ultra-violent prologue featuring a yakuza standoff in Osaka. Normal is the name of this burg of 1,890 cheerful inhabitants (including cameos from Henry Winkler and Lena Headey), but the film is decidedly anything but.