IN THE SHADOW OF BEIRUT
Other movies
TO KILL A MONGOLIAN HORSE
Director: Xiaoxuan Jiang
Saina’s father never taught him to ride: he simply put him on the back of a horse, a Mongolian herdsman’s natural habitat. Saina now earns his living performing spectacular tricks in equestrian shows for tourists, trying to make enough money to cover his father’s gambling debts as well as support his little son. His true vocation, however, is caring for his sheep and horses on the grasslands that stretch as far as the eye can see - a way of life under threat from climate change, encroaching poverty and profiteering mining companies. A moving, superbly shot portrait of a man clinging to the things that make that life worthwhile: the endless sky, the silence, his herdsman’s heritage and his beloved horses.
MONSIEUR AZNAVOUR
Director: Mehdi Idir
Charles Aznavour, the son of Armenian immigrants who became a defining voice of France, died in 2018 aged 94. Two years later, his sons, Mischa and Nicolas, announced they had been working with their father on a biopic to be released this year: Aznavour’s centenary. This stunning musical drama is an intimate portrait of the artist’s life that's packed with biographical information. Growing up in poverty gave him an unswerving determination to reach the top; by the 1940s, he was playing cabarets with Pierre Roche, but his ambition was a solo career and a mass audience. Tahir Rahim plays Aznavour in a drama punctuated with disarmingly honest anecdotes from family members, giving us both the man and, of course, his music.
ABDO & SANEYA
Director: Omar Bakry
A wonderful reminder of the power of silent film, Omar Bakri’s film is shot without dialogue in dramatic black and white. Egyptian farmer Abdo and his wife Saniya are desperate for a child, which leads them on a daunting journey to New York City for infertility treatment. The treatment itself is intimidating but the couple faces an additional hurdle: they don't speak the language and are unfamiliar with the American way of life. This musical drama has all the magic and direct emotion of early cinema – laughter, tears and love surge through it - but with very modern-day heroes in Abdo and Saniya. The Jeddah audience is sure to be captivated by this innovative take on a classic genre.
TO KILL A MONGOLIAN HORSE
Director: Xiaoxuan Jiang
Saina’s father never taught him to ride: he simply put him on the back of a horse, a Mongolian herdsman’s natural habitat. Saina now earns his living performing spectacular tricks in equestrian shows for tourists, trying to make enough money to cover his father’s gambling debts as well as support his little son. His true vocation, however, is caring for his sheep and horses on the grasslands that stretch as far as the eye can see - a way of life under threat from climate change, encroaching poverty and profiteering mining companies. A moving, superbly shot portrait of a man clinging to the things that make that life worthwhile: the endless sky, the silence, his herdsman’s heritage and his beloved horses.