
HOW I GREW UP
Other movies

EEPHUS
Director: Carson Lund
New England, an amateur baseball game is being played in front of empty stands, from morning until nightfall. It’s the team's last match: tomorrow, the demolition of the arena will begin. Eephus refers to a particular pitch – a slow curveball that is difficult to hit – but one doesn't need to know the rules of baseball to grasp the ways of this world: a certain American, rural and masculinist culture. Awkward, aging and out of shape, the men are as enthusiastic about the drinks they bring to the game as they are about bats and balls. The bonds forged by the game are deep, however - and, by extension, so is their love of baseball itself in this touching and funny analogy of America.

THE TALE OF DAYE'S FAMILY
Director: Karim Elshenawy
Daye, an 14-year-old Nubian albino with a golden voice, faces adversity due to his unique appearance. Abandoned by his father and bullied by peers, he dreams of following his idol, Mohamed Mounir. When he gets a chance to audition for The Voice, Daye and his family embark on a perilous journey from Aswan to Cairo. Their journey is fraught with challenges: a stolen car, lost money, and a harrowing escape from the police. They face discrimination and struggle to survive, but their unwavering determination and Daye's powerful voice keep them going. With the help of a kind fireman and a chance encounter with Mounir himself, Daye overcomes obstacles and captures the hearts of a nation. Daye is a heartwarming tale of resilience, hope, and the transformative power of music. It’s a poignant exploration of tolerance, ambition, and the unbreakable bond of family.

BIN U BIN, ELSEWHERE THE BORDER
Director: Mohamed Lakhdar Tati
In the rocky desert Algerian border country, Fethi and his fellow villagers eke out a living smuggling goods – mostly petrol – into Tunisia, working at night and paying off the local crime lords. Saad, a film-maker trying to raise money to finish his movie, has worked for a year with Fethi. He lives in his family’s shed, included as part of a loving household as well as their risky business. At the same time he is obviously an outsider: smartly dressed and prepared to talk back to anyone, including the imam. Tough, gritty but also moodily atmospheric, its tension sustained by a tumultuous soundscape, theis remarkable film delves deeply into the complexities of family, friendship and daily survival.

SUPERBOYS OF MALEGAON
Director: Reema Kagti
This entertaining romp is based on the life of Nasir Shaikh, an amateur film-maker from the poor Indian town of Malegaon who was inspired by his love of silent slapstick to make a film of his own, featuring local characters and put together by a crew of friends. As the locals favoured Bollywood escapism, he adapted some of their favourites with the tales transported to Malegaon. People loved it, but their success threatened to split the group, one of whom turned out to have bigger ambitions: a few hurdles had to be jumped before everyone realised what really mattered to them. It is a poignant and at times funny take on film-making, friendship and what happens when those worlds collide.