HOUNDS
Other movies
SANTOSH
Director: Sandhya Suri
When Santosh’s husband, a policeman in a rural district in North India, is killed in a riot, the widow can only keep their home if she takes his job. Eager to succeed, she shows more determination than is usual among the misogynist male police when a low-caste girl is reported missing and then turns up dead. A charismatic senior woman officer, Inspector Sharma, is duly drafted in to head the murder investigation, becoming Santosh’s mentor. Success for women, however, generally means showing they can bend the rules as flagrantly as the men, where survival always comes at huge personal cost. A fascinating police procedural, focusing on the relationships within the force rather than crimes or culprits, the film is an investigation into deep-rooted systemic corruption.
BLACK DOG
Director: Guan Hu
While China buzzes in anticipation of the Beijing Olympics, Lang returns from a decade in prison to his home town to find it largely deserted, its crumbling concrete blocks being torn down to make way for a new industrial city. The exodus of humans means that the area is now overrun with stray dogs; Lang, needing a job, joins a hastily assembled extermination team supposed to round them up but, when a dog suspected of having rabies adopts him, he realizes his real mission is to save the animals, including the ones at the nearly deserted local zoo.. In a riveting, almost wordless performance, Eddie Peng shows Lang recover his humanity, even as the landscape around him becomes increasingly desolate.
AÏCHA
Director: Mehdi M. Barsaoui
Aya is the sole survivor of a bus crash on a mountain road. When she realises that nobody knows she is alive, she makes a snap decision to escape her dead-end village existence and become someone else. In thriving, liberal Tunis, she calls herself Amira, a thrilling change until one of those men is murdered and the investigating police start to question “Amira”’s sketchy life story. Fatma Sfar is vivid and immediately sympathetic as Aya/Amira, while narrative twists and nested details gradually reveal that she isn’t the only trickster with something to hide. Aicha was judged Best Mediterranean Film from the Academy of Fine Arts at this year’s Venice Film Festival.
RED PATH
Director: Lotfi Achour
Ashraf, a shepherd boy working with his teenage cousin in impoverished northern Tunisia faces the unimaginable when Islamic State terrorists set on them and behead his cousin Nizar in front of him. Ashraf has no choice but to take the head back to his family, who can do nothing: the terrorists are a constant threat, while the police are indifferent to the problems of poor herders. Nizar’s parents fixate on trying to recover his body for a proper burial, but Ashraf has no way of dealing with his trauma, clinging to the visions he has of Nizar during which he can talk to his cousin’s ghost. An extraordinary journey into the wounded psyche of a child in a war zone, heightened by Ali AlHleili’s captivating performance.