HOPELESS

Other movies
TWO SEASONS, TWO STRANGERS
Director: Sho Miyake
Adapted from Yoshiharu Tsuge’s manga short stories from the 1960s, Two Seasons, Two Strangers follows Li (Shim Eun-kyung), a creatively blocked Korean screenwriter adrift in Japan. As she imagines a bittersweet seaside tale of two lonely youths crossing paths, a film-within-a-film unfolds onscreen and we realise her own emotional journey is mirroring theirs. Months later, in a snowy mountain village, Li finds connection with a solitary innkeeper, and slowly reclaims her voice, rediscovering purpose and the beauty of the understated. Filmmaker Sho Miyake distills transformation into its quietest form, where meaning clings to the ordinary and unravels in near-silence. The film explores relationships born of chance — not romance or friendship, but something softer, stranger and just as essential.
HIJRA
Director: Shahad Ameen
A grandmother and her two granddaughters journey from Taif to Mecca. When the eldest granddaughter vanishes, the two remaining women travel north to find her, with their search highlighting the deep cultural and generational bonds between Saudi women. Set against the backdrop of the Hajj pilgrimage, Hijra portrays the intimate and emotional odyssey of these women, which evolves into a spiritual quest. Their journey carries the weight of an entire heritage and offers an emotional, powerful and insightful look at identity. Shot across eight Saudi cities, the film provides a deep dive into the nation’s rich cultural tapestry. Actress Khairia Nazmi infuses the story with profound emotion due to her strength and energy.
THE VOICE OF HIND RAJAB
Director: Kaouther Ben Hania
The Voice Of Hind Rajab is an emotional and innovative hybrid of documentary and drama that recounts the heart-wrenching story of a six-year-old Palestinian girl killed during the Israel-Gaza war. In January 2024, Hind was trapped for hours in a car after it came under fire, squeezed between the bodies of her aunt, uncle and cousins, leaving her the sole survivor. For hours she remained in contact with Red Crescent volunteers, who navigated a maze of military and governmental approvals in an attempt to reach her. The film transcends traditional cinema, becoming a powerful act of resistance and a vital work of memory. Filmmaker Kaouther Ben Hania delivers a haunting testament to the tragic reality of war, resonating with audiences long after the credits roll.