HOPELESS
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LAIL NAHAR
Director: Abdulaziz Almuzaini
Nahar, a beloved and highly popular opera singer, finds himself at the center of a "cancel" storm after a viral video accuses him of racism. In a surprising move, he announces his upcoming marriage to a black woman live on air, putting him in a race against time to find the right woman. Eventually, he marries a wedding singer, and their relationship evolves from one of mutual interests into an unexpected emotional and musical journey filled with surprising twists.
SAIFY
Director: Wael Abu Mansour
At 40 years old, Saify Muhammed is a washed-up confidence trickster who owes money to everyone, including his ex-wife. Now he is trying his hand at blackmail. The year is 2000; Saify has a dilapidated music shop selling cassette tapes, including recordings of banned Islamic sermons he mistakenly thinks will turn an illicit profit. His sermon supplier is Al-Mahdi, shady religious advisor to the local bigwig Sheikh Asaad Aman, who has a name as a philanthropist. When Saify finds one tape containing a scandalous recording of the influential Sheikh Asaad, he thinks he’s finally in the money.
LOST WORLDS WITH BETTANY HUGHES: THE NABATAEANS
Director: Jim Greayer
Having studied the Classical world for 30 years, English historian and broadcaster Bettany Hughes has repeatedly come across references to the enigmatic lands of Nabataea. World-famous Petra was the Nabataean capital, but many visitors are unaware it was just one city in a vast trading empire. Now Bettany is on a mission to discover their world and answer the question: who are the Nabataeans? Her journey takes her to AlUla in Saudi Arabia, known for its monumental tombs and fascinating rock formations; she also traces the Nabataeans' global trade network through Jordan, Greece, and Oman. With exclusive access to astonishing new archaeological research and a network of renowned specialists revealing new finds, Bettany uncovers the Nabataeans' sensational story.
QUIET LIFE
Director: Alexandros Avranas
Sergei and Alina, both teachers, have fled persecution in Russia with their two daughters to Sweden, where they have applied for asylum. They do their best to fit in: the parents work hard, the children throw themselves into their Swedish school lives and the family welcomes regular inspections, proving what excellent Swedish citizens they would be. It is a shock when their application is rejected, after which the younger daughter Katja collapses into a coma caused by Child Resignation Syndrome, a well-documented phenomenon among refugee children. The callousness of the authorities and its institutions, which seem designed to strip everyone of humanity and hope, is chilling, only just trumped by the film’s core values of justice and resilient love.