Skip to content
R15

HANGING GARDENS

Genre
Drama
Running time
107 minutes
Year
2022
Language
Arabic
Subtitle
English
Country
Iraq, Palestine, Egypt, United Kingdom and Saudi Arabia
Director
Ahmed Yassin Al Daradji
Bio
Producer
Huda Al Kadhimi, May Odeh, Margaret Glover
Cast
Hussain Muhammad Jalil, Wissam Diyaa, Jawad Alshakarji, Akram Mazen Ali
Scriptwriter
Ahmed Yassin Al Daradji, Margaret Glover
Taha and his younger brother As'ad (Wissam Diyaa) scrape a living searching for discarded metals and plastics at the vast, stinking Baghdad rubbish dump ironically named for the legendary Hanging Gardens of Babylon. The dump section reserved for refuse from the US military regularly yields girlie magazines, which As'ad, who is only twelve, with a mix of innocence and the toughness he has needed to survive, sells off page-by-page on the sly. As'ad hits the jackpot - and causes a huge rift with his older brother - when he brings home a discarded rubber doll. He cleans up the intimacy toy tenderly, then puts it to work in a makeshift brothel. Working with a local cast, director Ahmed Yassin Al-Daradji tells an intimate, affectionate and often humorous story of kids growing up, making some hard points about the corrosive effects of poverty and consumerism along the way. This film is supported by the Red Sea Fund.

Other movies

LATE SHIFT

Director: Petra Volpe

Petra Volpe’s salute to caregivers is executed with strength and admiration. Led by a nuanced and meticulous performance from Leonie Benesch, Late Shift is an eloquent plea for compassion, as well as being a gripping story about a day in the life of a hospital worker. Floria (Benesch) is a nurse on an understaffed surgical ward, where she balances the constant demands of her patients — medical and emotional — knowing that every decision she makes (or neglects) could have fatal consequences. Floria, and Volpe’s camera, are constantly on the move to beeping monitors and crash carts in the ward’s confined quarters. As Switzerland’s Oscar submission, Late Shift delivers high drama and a sharp question: who will care for the carers?

ALL THAT'S LEFT OF YOU

Director: Cherien Dabis

This compelling family drama traces three generations of Palestinians from 1948-2022, revealing the profound impacts of the Nakba. The story begins in 1988 with Noor, a man who joins a protest that turns violent in the West Bank. Decades later his mother, Hanan, recounts her son’s story, starting with the 1948 expulsion of his grandfather from Jaffa. Amid the hardship, the family holds on to the hope of returning to their ancestral home. A love story between Hanan and her husband Salim serves as a beacon of light. Through intimate, moving performances, this film explores how trauma and heritage shape the bonds between a grandfather, a father and son, while filled with moments of joy, love and humor.

الشروط والأحكام المتعلقة بتذاكر أفلام المهرجان

• التذاكر غير قابلة للاستبدال أو الاسترجاع، ولا يجوز إعادة بيعها.
• يُضمن حجز المقعد حتى 15 دقيقة قبل موعد بدء العرض أو الندوة.
• يُسمح بدخول المتأخرين وفق تقدير إدارة القاعة.
• يرجى العلم أن البرامج والجداول والمواقع قابلة للتغيير.
• قد يُطلب إظهار ما يثبت العمر في الأفلام المقيّدة بفئة عمرية محددة.
• يُمنع منعًا باتًا استخدام أجهزة التسجيل أو التصوير في جميع العروض والندوات.
• يمكن لحاملي الشارات إلغاء حجز التذاكر حتى 60 دقيقة قبل موعد العرض عبر التطبيق أو الموقع الإلكتروني أو من خلال شبّاك التذاكر.
• التذاكر غير المُلغاة وغير المستخدمة تُحتسب تحت حكم عدم الحضور .

للاستفسارات والاقتراحات، الرجاء التواصل معنا على البريد التالي:
customerservice@redseafilmfest.com

أو الاتّصال على الرقم التالي:
920051177

تنويه بشأن التصوير والتسجيل

تخضع جميع مواقع مهرجان البحر الأحمر السينمائي الدولي للتصوير الفوتوغرافي وتصوير الفيديو والتسجيلات الصوتية، ويُمكن عرض كل وأيّ مادة على وسائل التواصل الاجتماعي بغرض الإعلان والتسويق. لذلك ننوّه بأنكم وبمجرد دخولكم لِمواقع المهرجان، فأنتم توافقون على الظهور في جميع هذه المواد الإعلامية دون تعويض. 

RedSeaIFF Ticket Terms 

• Tickets are non-exchangeable, non-refundable, and cannot be resold.
• Seating is guaranteed up to 15 minutes before the start of the screening and panel.
• Late arrivals are seated at the Theatre Manager’s discretion.
• Programs, schedules, and venues are subject to change.
• Proof of age may be required for age-restricted films.
• Recording devices are strictly prohibited in all screenings and panels • Badge holders may release tickets up to 60 minutes before the screening via the app, website, or Box Office. Unreleased and unused tickets will count toward the No Show Policy.

For assistance, contact 920051177, customerservice@redseafilmfest.com, or reach us via the RedSeaIFF Mobile App.

 

Photography and Recording Notice

By entering any RedSeaIFF venue, guests acknowledge that photography, video, and audio recording may be taking place. All recorded material may be used by the Festival for social media, advertising, and marketing purposes. Attendance at the Festival constitutes consent to appear in such material and authorizes its use without compensation.