HADI ALEIES
Other movies
GHOST TRAIN
Director: Se-Woong Tak
YouTube creator Da-kyung (played by shooting star Joo Hyun-young), has made her name by recounting real-life horror stories but she has lost a lot of subscribers recently. Her quest to uncover the scariest tales possible leads her to Gwangrim Station; a subway station that is known for the mysterious incidents occurring there. While the station master (Jeon Bae-soo) is initially hesitant to reveal the hidden stories of his workplace, he gradually shares more and more spooky secrets, which does not leave Da-kyung unaffected. Telling one occurrence per episode, this series delights as an exciting play on horror and ghost story tropes, with a cleverly timed narrative structure, and a thrilling sense of atmosphere and mood.
DREAMING OF LIONS
Director: Paolo Marinou-Blanco
For anyone who likes to laugh at events that should make you want to cry Dreaming of Lions will be your favourite movie of the year. This absurdist tragicomedy from Greek-Portuguese director Paulo Marinou-Blanco introduces us to Gilda, a terminally ill woman whose dying wish is for her painful existence to stop as quickly and peacefully as possible. When her attempts at ending her life fail, she seeks professional help and discovers the Joy Transition International. She attends their funny meetings, which bring new friends, a lover and 99 problems. However, when she finds out that the organisation is not what it seems, she and her new beau decide to take matters into their own hands with heartwarming results.
AGORA
Director: Ala Eddine Slim
A blue dog and a black crow narrate the strange story of three revenants – people who are not quite dead, but not alive either – who resurge in a remote town, reviving the unsolved mysteries around their respective disappearances. Fathi, the local police inspector, is on the case, assisted by his friend Amine, the local doctor. What begins as a conventionally recognisable crime thriller, however, becomes more of a mood piece once Omar, a police investigator from the city, arrives to shine a light on what has happened and is overwhelmed by the irrationality of the chain of events. At once absurd and disturbing, Agora gradually reveals itself as both poetic fable and a political commentary on the state of Tunisia.