
GEOGRAPHIES OF SOLITUDE
Other movies

FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.

THE INEVITABLE JOURNEY TO FIND A WEDDING DRESS
Director: Jaylan Auf
On the eve of her wedding, Warda has a disastrous accident with her bridal gown, ruining it completely. The show is going to go on, however, so she and her best friend set out to find another white dress in a hurry. Their search takes them from one shop to the next across Cairo, giving these two working-class girls a new vision and experience of the city where they have grown up and which becomes a major character in the film. For Warda, it is also a journey of self-discovery, challenging her relationship with herself. The wedding dress becomes the central motif in a social drama about life in modern, rapidly changing city.

WE LIVE IN TIME
Director: John Crowley
Florence Pugh and Andrew Garfield bring humour and exceptional personal chemistry to this compelling tale of love, marriage, and heartache. The movie's unique feature is that the narrative skips back and forth in time across a decade so that we absorb all of their lives – highs, lows, romance and parenthood – as a jigsaw puzzle that helps us understand their decisions in the different phases of their relationship. It's a real tearjerker that shows how ambitious chef Almut meets Tobias, a data cruncher whose marriage has just ended, and then they fall in love and have to cope with all the hurdles put in front of them. When Almut decides to enter a high-stakes cooking championship the tension between them boils over.

SIMA’S SONG
Director: Roya Sadat
Afghanistan in 1972 is a cauldron of opposing political forces. Suraya, part of an influential political family, becomes head of the dominant Communist Party’s women’s organisation, believing it is the best hope for equal rights. Her friend Sima is sceptical of all politics and, as a talented musician, is dedicated to her traditional art and its romantic themes. Despite their differences, these two young women remain best friends through university, even when Sima marries and starts attending Muslim Youth meetings. When the army starts arresting Muslim activists, Suraya helps her friends escape to the mountains and the protection of the mujahadeen, but war follows them. The film is a marvellous testament to the courage and loyalty of Afghani women in the face of constant adversity.