FOUR DAUGHTERS
Other movies
SUPERBOYS OF MALEGAON
Director: Reema Kagti
This entertaining romp is based on the life of Nasir Shaikh, an amateur film-maker from the poor Indian town of Malegaon who was inspired by his love of silent slapstick to make a film of his own, featuring local characters and put together by a crew of friends. As the locals favoured Bollywood escapism, he adapted some of their favourites with the tales transported to Malegaon. People loved it, but their success threatened to split the group, one of whom turned out to have bigger ambitions: a few hurdles had to be jumped before everyone realised what really mattered to them. It is a poignant and at times funny take on film-making, friendship and what happens when those worlds collide.
TALES ON THE BANKS OF THE BOSPHORUS
Director: Zeina Sfeir
Stories and tales that have spread to over 150 countries worldwide, exploring themes of lost love, the foundations of life and family, and human stories devoid of "superheroes," were filmed in beautiful Turkish cities with brilliant stars who have won the hearts of viewers: this is the Turkish drama, known as "dizi." Today, the "dizi" genre is considered among the most successful series, enjoying immense popularity across the Arab world and as far away as South America and Africa. The question arises: how has an industry from a country with little foothold in distribution and filming in a minority language managed to achieve such rapid and extensive global reach? Through interviews on set with directors, producers, distributors, and stars, we uncover the secrets behind the success and behind-the-scenes stories of this drama.
AÏCHA
Director: Mehdi M. Barsaoui
Aya is the sole survivor of a bus crash on a mountain road. When she realises that nobody knows she is alive, she makes a snap decision to escape her dead-end village existence and become someone else. In thriving, liberal Tunis, she calls herself Amira, a thrilling change until one of those men is murdered and the investigating police start to question “Amira”’s sketchy life story. Fatma Sfar is vivid and immediately sympathetic as Aya/Amira, while narrative twists and nested details gradually reveal that she isn’t the only trickster with something to hide. Aicha was judged Best Mediterranean Film from the Academy of Fine Arts at this year’s Venice Film Festival.
SANTOSH
Director: Sandhya Suri
When Santosh’s husband, a policeman in a rural district in North India, is killed in a riot, the widow can only keep their home if she takes his job. Eager to succeed, she shows more determination than is usual among the misogynist male police when a low-caste girl is reported missing and then turns up dead. A charismatic senior woman officer, Inspector Sharma, is duly drafted in to head the murder investigation, becoming Santosh’s mentor. Success for women, however, generally means showing they can bend the rules as flagrantly as the men, where survival always comes at huge personal cost. A fascinating police procedural, focusing on the relationships within the force rather than crimes or culprits, the film is an investigation into deep-rooted systemic corruption.