
FOUR DAUGHTERS

Other movies

FRONT ROW
Director: Merzak Allouache
Zhola Bouderbala and her five children wake up at dawn on a hot day and prepare to spend their first summer’s day at the beach. It is imperative to get there early, in order to get a spot in “the front row”, with an uninterrupted view of the beautiful sea. As the first to arrive, the family settles at the water’s edge; an idyllic day beckons. Then, when another family arrives, there is an unexpected disaster. Merzak Allouache, whose earlier film Omar Gatlato marked a turning point in Algerian cinema, gives us characters with wit, zest for life and an and endearing innocence. His ongoing exploration of contemporary Algeria, in all its charm and complexity, confirms his status as a cinematic pioneer.

STATE OF SILENCE
Director: Santiago Maza
Four Mexican journalists who risk their lives to report on their country’s violent “narco-politics” talk in depth about their experiences, the dangers they face and the crucial importance of independent journalism. Mexico has been the frontline of the so-called “war on drugs” for two decades, where the line between law and crime is blurred – the continuing threats against journalists have effectively created dangerous zones of silence. Jesús Medina, Juan de Dios García Davish, María de Jesús Peters and March Vizcarra are committed to breaking that silence, reporting on local corruption, the theft of water from farmers by the drug lords and cartel-related shootings. Medina describes his job as being an “amplifier” for ordinary people who, without a free and committed press, have no voice.

40 ACRES
Director: R.t. Thorne
Danielle Deadwyler shines as the invincible gun-toting matriarch Hailey, a Black military veteran determined to protect and preserve her family and their land in the wake of a man-made apocalypse. A few years before, all animals on Earth were killed by a viral epidemic. Since then, there has a been a breakdown in global food supplies: only those cultivating the land can hope to survive, provided they can ward off roving militias looting the remaining farms. Hailey communicates only with other farmers via CB radio; her four children are walled in with their parents, taught to trust nobody, but when lonely young Emmanuel meets Dawn, a wounded young woman in the woods, Hailey’s regime threatens to break down from within.

WE LIVE IN TIME
Director: John Crowley
Florence Pugh and Andrew Garfield bring humour and exceptional personal chemistry to this compelling tale of love, marriage, and heartache. The movie's unique feature is that the narrative skips back and forth in time across a decade so that we absorb all of their lives – highs, lows, romance and parenthood – as a jigsaw puzzle that helps us understand their decisions in the different phases of their relationship. It's a real tearjerker that shows how ambitious chef Almut meets Tobias, a data cruncher whose marriage has just ended, and then they fall in love and have to cope with all the hurdles put in front of them. When Almut decides to enter a high-stakes cooking championship the tension between them boils over.