FISHY

Other movies
SINK
Director: Zain Duraie
Behind the facade of a perfect life, Nadia, a 40-year-old wife and mother of three, struggles with her marriage and a lost sense of self, leaving her emotionally detached. Her one true connection is with her eldest son, Basil, a brilliant but unsociable high school senior. When a violent outburst at school leads to his suspension, Nadia’s world crumbles. On the verge of burnout, she attempts to care for him, but as she battles her own crisis, she's pulled into his undiagnosed mental illness. As his condition spirals, Nadia's struggle to prove that her son is normal intensifies. The film is an intimate look into a powerful maternal bond and a portrait of unconditional love in the face of chaos.
ROQIA
Director: Yanis Koussim
In 1993, a tragic car crash leaves Ahmed with amnesia. He returns to his home village where nothing seems familiar — even his family feel like strangers. His bandaged face terrifies his youngest child, while nocturnal visitors whispering litanies in an unknown language haunt him. Who are they? Why is Ahmed missing the index finger on his right hand? Why does his neighbor make him feel uncomfortable? In the present day, an aging Raqi (a Muslim exorcist) suffering from Alzheimer’s disease also has a missing index finger on his right hand that trembles ominously. With a surge of unexplained violence and the possessed speaking an unknown language, his devoted disciple fears an ancient evil will be unleashed.
BLACK RABBIT, WHITE RABBIT
Director: Shahram Mokri
Iranian filmmaker Shahram Mokri develops multiple plot strands this engrossing, multilayered, playful and skilled drama centering around Sarah, the victim of a suspicious car crash who is swaddled in bandages and at odds with her controlling husband. What turns out to be a film-within-a-film-within-a-film zooms out to include the remake of a classic Iranian movie in Tajikistan, an armourer worried about a prop gun and an actress looking for her big break. Of course their fates collide through multiple fluid, bravura circular takes, often covering the same time frame, bold touches of magical realism — or are they sight gags? — and an eternal mystery. This spinning story is Tajikistan’s Oscar entry for this year.