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FISHBOWL
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Other movies
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THE SANDCASTLE
Director: Matty Brown
A family of four finds themselves stuck on a picturesque island hiding a shocking reality. What starts as child’s play and simple ways to pass the time begins to uncover dark secrets that they struggle to keep from the youngest, Jana. As events spiral out of control and the line between reality and fiction blurs, how will Jana and her family cope with the consequences and the tough choices they must face?
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MODI - THREE DAYS ON THE WING OF MADNESS
Director: Johnny Depp
Amedeo Modigliani’s life is in a bohemian state of chaos. It is 1916 and Paris is suffering the deprivations of war; with no money, he and his decadent friends drink, take loads of drugs, make art and fail to sell it, then argue with the landladies who want to evict them. Modi, as his artist friends Utrillo and Soutine like to call him, is offered a lifeline by an American collector (a superb cameo from Al Pacino) but, as usual, he sabotages the opportunity. Sadly, his true status as a leading light of modern art would only be recognised after his premature death. Director Johnny Depp clearly revels in his hero’s excesses, invigorating his story with the spirit of punk rock.
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AÏCHA
Director: Mehdi M. Barsaoui
Aya is the sole survivor of a bus crash on a mountain road. When she realises that nobody knows she is alive, she makes a snap decision to escape her dead-end village existence and become someone else. In thriving, liberal Tunis, she calls herself Amira, a thrilling change until one of those men is murdered and the investigating police start to question “Amira”’s sketchy life story. Fatma Sfar is vivid and immediately sympathetic as Aya/Amira, while narrative twists and nested details gradually reveal that she isn’t the only trickster with something to hide. Aicha was judged Best Mediterranean Film from the Academy of Fine Arts at this year’s Venice Film Festival.
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FAMILIAR TOUCH
Director: Sarah Friedland
Anchored by a precise and sensitive performance by 79-year-old theatre actress Kathleen Chalfant, Sarah Friedland’s debut film – made in collaboration with the residents and care workers at a Los Angeles retirement home – shows the experience of dementia from this elderly woman’s own point of view. Her son, whom she mistakes for a date, takes her to the care home that she thinks is a hotel bar. Once a professional chef, she takes over the kitchen for a morning, then escapes to go to a produce stall, bits of reality she can still grasp. Her triumph is to find the life worth living where she is, as she is. A celebration of the human mind, in all its complexity.